Saturday, January 16, 2021
Cecil B. DeMille's The Ten Commandments - 1923 Silent Film
- Commentary: Under Construction.
Although this is an old, silent movie, it's an unusually interesting presentation of The Ten Commandments. DeMille intertwines the Exodus story with a modern (1923 modern, that is) tale of two brothers, one of whom follows the "law", the other of whom doesn't. Although, as you might expect, life turns sour for the second brother, and, of course, everyone in the movie is affected by his rankled life and death, salvation reigns for those the tawdry brother has mired in his muck. From my perspective, this movie is more about Christian Salvation, rather than following divine law, which is what turns this movie into a surprise; muddled, yes, but still a surprise. It's very interesting, even though sometimes confusing, to watch and ponder. It's revelatory, as well, to realize that DeMille was not satisfied with this version of the Exodus story, thus, he reprised it in 1956 and left out any kind of modern take on divine law. Frankly, I would have liked to have seen a more well thought out version of this 1923 intertwined story. This movie, though, is quite provocative, nonetheless. Definitely worth more than one watch. As a homage to this extraordinary rendition of the Exodus story, I'm including many credits in the Actor/Role Table, below.
Update: 6/7/2022: As of this date my collection now includes four versions of the Exodus story: The Ten Commandments 1923, The Ten Commandments 1956, Moses 1995 and Exodus: Gods and Kings. Splitting the difference, care to wager on how long it will be until we see another Exodus epic? My money's on 31 years.
Actor Role Actor Role Actor Role Actor Role Theodore Roberts Moses Charles De Roche Rameses Estelle Taylor Miriam Julia Faye Pharoah's Wife Terrence/Pat Moore Son of Pharoah James Neill Aaron Lawson Butt Dathan Clarence Burton The Taskmaster Noble Johnson The Bronze Man Edythe Chapman Mrs. Martha McTavish Richard Dix John McTavish Rod La Rocque Dan McTavish Leatrice Joy Mary Leigh Nita Naldi Sally Lung Robert Edeson Inspector Redding Charles Ogle The Doctor Agnes Ayres The Outcast Wilson Benge Butler Louise Emmons Elderly Israelite Roscoe Karns Dan's Pal & Associate
Here's a link to the Wikipedia write-up of the film.
Release Date: 1923
Directed by Cecil B. DeMille.
Labels: §1, bible-movies1, drama2, film-art1, moses, silent
Exodus: Gods and Kings
- Commentary: I own this movie because I have a particular fascination for the Moses part of the origin story of the Jewish people and their attempts to, and successes at, forming a nation. This is my fourth version of the Moses story, the others being: The Ten Commandments with Charlton Heston as Moses, Moses with Ben Kingsley playing Moses, superbly, I think, and Cecil B. DeMille's The Ten Commandments, DeMille's first, silent production of the Moses story, which combines the story with a modern day film meditation of the application of the ten commandments in what was, at that time, modern life.
This movie, staring Christian Bale as Moses, is certainly entertaining. I go on "Moses" binges during which I watch all of my Moses movies back-to-back. This version is as involving and entertaining as all the others. Joel Edgerton is particularly fun as Pharaoh Ramses. John Turturro strikes an appropriately wise and world-weary Seti. Much to my delight, Ben Kingsley also appears in this movie as a major/minor figure, Nun. There are so many recognizable stars playing bit parts in this movie that it makes you wonder ...
Truth is, even though I consider it a delightful addition to my Moses archive, it's easy to wonder, as I watch it, why this Moses story was even produced and why all these major stars (including those in minor parts) assented to participate. Mind you, I have no quarrel with versions and versions of the Moses story. I find them endlessly fun and fascinating. Of all the versions I own, though, this is the only one that appears to be an obvious Ridley Scott money grab, and, frankly, only a money grab. We know how spectacular Scott can be producing an epic. You only need to point to Gladiator. In that movie, it's obvious that Ridley Scott, the director for that movie, too, was not only thinking about content, he thought assiduously and well about it. Not so with this production. There are some roles that featured large in my other Exodus epics that were merely spit upon in passing in this movie: Dathan, for instance, and Jethro. There are others that featured large in this movie that were, again, spit upon in passing or altogether ignored in my other Exodus epics: Miriam, for instance, and Viceroy Hegep.
Still, it's fun to watch, in the context of my other Moses movies. I'll not be passing it on to someone else.
Actor Role Actor Role Actor Role Actor Role Christian Bale Moses Joel Edgerton Rameses II John Turturro Seti I Aaron Paul Joshua Ben Mendelsohn Viceroy Hegep María Valverde Zipporah Sigourney Weaver Tuya Ben Kingsley Nun Isaac Andrews Malak Hiam Abbass Bithiah Indira Varma High Priestess Ewen Bremner Strategy Expert Golshifteh Farahani Nefertari Ghassan Massoud Grand Vizier Paser Tara Fitzgerald Miriam Dar Salim Cmdr. Khyan Andrew Tarbet Aaron Ken Bones Court Scribe Anton Alexander Dathan Kevork Malikyan Jethro
You'll notice, above, that the name "Malak" is hyperlinked to an article that well discusses the use of this word/name biblically. I became very curious about this word/name because of the character who sports it in this movie. Interesting read, no matter how you feel about the movie. Although many people, including some prominent reviewers, have identified this character as the Abrahamic God, the definition to which I've linked clearly undermines this interpretation by identifying this word as meaning a "messenger" and an "angel".
Here's a link to the Wikipedia write-up of the film.
Release Date: 2014
Directed by Ridley Scott.
Labels: ben-kingsley, ben-mendelsohn, bible-movies1, christian-bale, drama2, historical1, indira-varma, john-turturro, military, moses, popcorn-and-soda1, religion1, ridley-scott, sigourney-weaver, spectacle1, violence1
Friday, March 09, 2007
The Bible Collection
- Who's watched: M & G
- Mentions: None
- Commentary: This set of Old Testament Stories, covering:
Abraham [Directed by Joseph Sargent; Release Date: 1993; Wikipedia link]
Actor Role Actor Role Actor Role Actor Role Richard Harris Abraham Barbara Hershey Sarai/Sarah Vittorio Gassman Terah Maximilian Schell Pharaoh Carolina Rosi Hagar Kevin McNally Nahor Gottfried John Eliezer Andrea Prodan Lot
→ richard-harris
David [Directed by Robert Markowitz; Release Date: 1997; Wikipedia link]
Actor Role Actor Role Actor Role Actor Role Nathaniel Parker David Jonathan Pryce Saul Leonard Nimoy Samuel Sheryl Lee Bathsheba Ben Daniels Jonathan Maurice Roëves Joab Franco Nero Nathan Gideon Turner Young David
→ jonathan-pryce
Jacob [Directed by Peter Hall; Release Date: 1994; Wikipedia link]
Actor Role Actor Role Actor Role Actor Role Matthew Modine Jacob Lara Flynn Boyle Rachel Sean Bean Esau Joss Ackland Isaac Juliet Aubrey Leah Irene Papas Rebeccah Giancarlo Giannini Laban Christoph Waltz Morash
→ matthew-modine
Joseph [Directed by Roger Young; Release Date: 1995; Wikipedia link]
Actor Role Actor Role Actor Role Actor Role Ben Kingsley Potiphar Lesley Ann Warren Potiphar's Wife Paul Mercurio Joseph Stefano Dionisi Pharoah Michael Attwell Judah Pete Lee Wilson Gad Kelly Miller Tamar Warren Clarke Ednan
Moses [Directed by Roger Young; Release Date: 1995; Wikipedia link]
Actor Role Actor Role Actor Role Actor Role Ben Kingsley Moses Frank Langella Merneptah Christopher Lee Pharaoh David Suchet Aaron Geraldine McEwan Miriam Enrico Lo Verso Joshua Maurice Roëves Zerack Sônia Braga Zipporah Philip Stone Jethro Anthony Higgins Korah Anton Lesser Eliav Vincent Riotta Midian
Samson & Delilah [Directed by Nicolas Roeg; Release Date: 1996; Wikipedia link]
P.S. The revenge2 movie in this collection is Samson & Delilah, one of the ultimate revenge stories in the Abrahamic bible, in part because it features more than one revenge story. It is as though "God" created Samson to be an instrument of revenge.
Actor Role Actor Role Actor Role Actor Role Eric Thal Samson Jonathan Rhys Meyers Young Samson Elizabeth Hurley Delilah Dennis Hopper Gen. Tariq Diana Rigg Mara Paul Freeman Manoah Michael Gambon King Hanun Ben Becker Prince Sidqa Alessandro Gassman Amrok Debora Caprioglio Rani Sebastian Knapp Yoram Jale Arıkan Naomi
This is the collection that most captures my interest. Mom considers it a continuation of The Bible Series. My favorites are the stories of Joseph, Abraham and Moses, as it is a delight for me to watch Ben Kingsley and Richard Harris in anything. One of the aspects of both this and The Bible Series that I appreciate is the obvious attempt to authentically capture the time periods. I notice, especially, the tight use of space and the fact that they are somewhat less full of eye candy as, say, the productions of The Ten Commandments and One Night with the King.
Labels: barbara-hershey, ben-kingsley, bible-movies1, jonathan-pryce, leonard-nimoy, matthew-modine, moses, religion1, revenge2, richard-harris
Saturday, November 11, 2006
The Ten Commandments
- Who's watched: M & G
- Mentions: *1* *2* *3* *4* *5*
- Commentary: Although I can't remember my journal comments, I'm sure, if you're even a semi-regular reader of my journal(s) about my mother, you know that this is one of my mother's all time favorites, and I've come to enjoy it, as well. I love the opulence, the story, the acting and the sets. I am proud to say that I can quote dialog from this movie. I never get tired of my mother wanting to see this movie. Each time she decides to watch this movie, the chances always become excellent that I will drop what I'm doing and join her.
Update 2/10/18: For fun, I thought I'd link the title of this write-up to the original 1956 review of this movie in the New York Times.
Update 8/19/19: I just discovered, to my dismay, that the old title link to the original NYT review of this movie dead-ended; so, I looked up the review and attached the new link. Just in case, though, I am appending the entire November 9, 1956, review (by Bosley Crowther) below. Take note of the opening sentence, it's quite interesting. So is the later commentary on the special effects in the movie:
"AGAINST the raw news of modern conflict between Egypt and Israel—a conflict that has its preamble in the Book of Exodus—Cecil B. De Mille's "The Ten Commandments" was given its world première last night at the Criterion Theatre, and the coincidence was profound. For Mr. De Mille's latest rendering of Biblical literature in the spectacular framing and colloquial idiom of the screen tells an arresting story of Moses, the ancient Israelite who was a slave with his people in Egypt and who struggled to set them free.
"As Mr. De Mille presents it in this three-hour-and-thirty-nine-minute film, which is by far the largest and most expensive that he has ever made, it is a moving story of the spirit of freedom rising in a man, under the divine inspiration of his Maker. And, as such, it strikes a ringing note today.
"But aside from the timely arrival and contemporary context of this film, it is also a rather handsome romance in Mr. De Mille's best massive style. To the fundamental story of Moses, as told in the Old Testament and reflected in other ancient writings consulted by Mr. De Mille, he and his corps of screen playwrights have added some frank apocrypha which, while they may not be traceable in history (or even in legend), make for a robust tale.
"In this imaginative recount, Moses is raised as a prince in the palace of Egypt's Pharaoh, after being found, as the Bible tells, by the Pharaoh's daughter in the bullrushes, where he was hidden by his mother, a Hebrew slave. And as a presumed Egyptian, he is a candidate for the Pharaoh's throne and a rival for the love of a luscious princess with the Pharaoh's own son Rameses.
"As one might well imagine, the plot-minded Mr. De Mille does not pass lightly or briefly over this phase of his tale. Moses, as played by Charlton Heston, is a handsome and haughty young prince who warrants considerable attention as a heroic man of the ancient world. And Anne Baxter as the sensual princess and Yule Brynner as the rival, Rameses, are unquestionably apt and complementary to a lusty and melodramatic romance.
"But the story is brought back to contact with the Bible and with its inspirational trend when Moses discovers, acknowledges and is exiled from Egypt because of his Hebraic birth. Then Mr. De Mille, who, incidentally, acts as narrator for his film in many of its more exalted stretches, takes him into the wilderness and establishes his contact with his Maker, which leads to the Exodus and the Covenant on Mount Sinai.
"In the latter phases of the drama, wherein the impulse to set his people free from the bondage of Egypt flames in Moses, the spiritual and supernatural surge comes somewhat bluntly in the picture, and the performance of such awesome miracles as the crossing of the Red Sea and the burning of the Ten Commandments into the tablets of stone may strike the less devout viewer as a bit mechanical and abrupt.
"Also, and with all due regard for the technical difficulties besetting Mr. De Mille, we must say his special effects department was not up to sets or costumes. The parting of the Red Sea is an obvious piece of camera trickery in which two churning walls of water frame a course as smooth and dry as a race track. And the striking off of the Ten Commandments by successive thunderbolts, while a deep voice intones their contents is disconcertingly mechanical.
"However, in its other technical aspects—in its remarkable settings and décor, including an overwhelming facade of the Egyptian city from which the Exodus begins, and in the glowing Technicolor in which the picture is filmed—Mr. De Mille has worked photographic wonders. And his large cast of characters is very good, from Sir Cedric Hardwicke as a droll and urbane Pharaoh to Edward G. Robinson as a treacherous overlord. Yvonne DeCarlo as the Midianite shepherdess to whom Moses is wed is notably good in a severe role, as is John Derek as a reckless Joshua.
"This is unquestionably a picture to which one must bring something more than a mere wish for entertainment in order to get a full effect from it. But for those to whom its fundamentalism will be entirely credible, it should be altogether thrilling and perhaps even spiritually profound."
The title link to the NYT article that ran when the movie premiered, is back, again, and appears to be generally available to all digital readers of NYT, not just subscribers. I'm not sure why, and I don't trust it, so, just in case, I'm keeping this link in reserve.
As an aside, from a Special Feature which accompanies the DVD of the movie, Charlton Heston tells viewers that he also voiced God in the movie, and gives an interesting reason: He imagined that the voice of God would come from within oneself and would, therefore, sound like oneself.
Update 6/22/2022 Regarding the voice of God: Although there is considerable confusion online about who voiced God in this movie, what finally seems apparent is that God was voiced by more than one actor. Jesse Delos Jewkes definitely voiced God in the Ten Commandments Tablet scene. [See, also, this article about Jesse Delos Jewkes.] Charlton Heston, in an interview available on my "Special Edition" copy of the movie, said that he was the voice of God; it seems apparent that, for the Burning Bush scene, he probably was (which is confirmed in the Wikipedia article about this movie). Other sources credit Cecil B. DeMille as voicing God in certain segments of the movie, but I cannot find anything authoritative to confirm this. Perhaps we will never know, for sure, how many actors voiced God in this movie and who all of them were.
Yet another link, if you can handle it. Aside from the DVD Savant review I linked in the title, he wrote another review when the blu-ray edition was released with an extra 11 minutes of footage added to the film. I think. I'm not sure. That might be an extra 11 minutes of special features. At any rate, although some of the review is repetitive, it also adds knowledge and perspective, having been written 7 years after his initial review. So, I'm including it in the immediately previous link.
My Final Commentary 8/19/19: I don't consider it true that "one must bring something more than a mere wish for entertainment in order to get a full effect" of the movie. I was not a god-believer when I initially saw the movie and have not been since. The movie's "full effect", however, subsumes me every time I watch it. In fact, after having updated this post, I'm thinking, this afternoon might be a good time for me to watch the movie, again. Just for fun, and to enjoy that subsumation experience, once again.
My Absolute Final Commentary 6/21/2022: I'm about a third of the way through a special on YouTube about the making of The Ten Commandments - 1956. Watching it reminded me of some family history surrounding this movie that I want to record. This movie is the very first DVD that Mom and I obtained. At that time, neither of us had any idea that we would build a large collection around it. One year, I'm not sure which year but it was definitely post 1997 (when she bought the house in Prescott, in which I continue to reside), MFS sent us a coupon for Blockbuster Video in celebration of some holiday or birthday or something-or-other. Mom and I initially figured we'd use it to rent movies, since we'd established a habit of doing this in Mesa and Prescott. Mom sent me to the store while she begged off by saying, "I feel a nap coming on. Get something good for tonight." When I discovered that The Ten Commandments - 1956 was on sale and fit right into the budget established by the gift certificate from MFS, I realized I had a decision to make. I knew that this was a movie that both Mom and I would want to see again and again and decided, instead of renting a few movies that we may or may not watch before they were due back, to buy this movie. I remember Mom being very excited about my choice of "rental" and even more excited when I told her I out-right bought it so we could watch it whenever we wanted. That's where, and how, our movie collection began. From that point on Mom's preference was to own, not to rent, and I had no quarrel with that decision. No, Virginia, I don't remember what our second movie purchase was. It doesn't matter, really. With this movie, alone, our collection was off and running.
Actor Role Actor Role Actor Role Actor Role Charlton Heston Moses/Voice of God Sir Cedric Hardwicke Seti I Yul Brynner Rameses II Anne Baxter Nefretiri Edward G. Robinson Dathan Yvonne De Carlo Sephora Debra Paget Lilia John Derek Joshua Nina Foch Bithiah Martha Scott Yochabel Judith Anderson Memnet Vincent Price Baka John Carradine Aaron Olive Deering Miriam Eduard Franz Jethro John Miljan The Blind One
Here is the Wikipedia article about the movie, just in case.
Release Date: 1956
Directed and Narrated by Cecil B. DeMille.
Labels: bible-movies1, charlton-heston, drama8, moses, period4, popcorn-and-soda4, religion1, shared-favorite, spectacle2
