Saturday, November 26, 2022
Esther and the King
- Commentary: Under construction.
As you peruse reviews for this film, you'll notice that critics were sharply divided on it, despite the fact that audience attendance christened it "a hit", in the trades. The review attached to the title of this post swings both ways and provides, as well, a fascinating review of the making of the film and its impact. This review is an excellent example of the derision the film provoked. If you're looking for a reason why sword and sandal spectable epics took a long hiatus before coming back with the slam-dunk Gladiator in 2000, this movie suggests a reason.
Actor Role Actor Role Actor Role Actor Role Joan Collins Esther Richard Egan Ahasuerus, King of Persia Denis O'Dea Mordecai Sergio Fantoni Haman Rik Battaglia Simon Renato Baldini Klydrathes Gabriele Tinti Samuel Rosalba Neri Zeresh Robert Buchanan Hegai Daniela Rocca Vashti Folco Lulli Tobiah Ennio Antonelli Jewish Man
Here's a link to the Wikipedia write-up of the film.
Release Date: 1960
Directed by Raoul Walsh.
Labels: bible-movies1, goflexA, period7, spectacle2
Saturday, September 24, 2022
Conan the Barbarian
- Commentary: I've seen this film more than a few times, checking it out of the library. I managed to get what amounts to a free copy of it, just today, 9/24/22. I don't have it, yet, it'll be arriving Monday, reportedly. I could probably start a write-up of it from my memory of watching it, but I think I want to wait, since it's been awhile (like a few years) since I've seen it last, and I need to luxuriate in it, once again, this time knowing it'll be my personal copy, before writing about it. So, consider this post, for the time being, Under construction.
And, BTW, Roger Ebert reviewed it. And liked it! Not completely, mind you. His lack of a fourth star is explained, in detail, in his write-up, and not only makes sense, especially considering when the movie came out and Roger wrote his review, but it is provocative, thoughtful and timely, even today, 40 years after it was written. Which is probably a good thing, since it's still a lively seller. I mean, here I am, selecting it as a free movie option! Roger's review is attached to the title of this post. You should read it.
Another group of critics reviewed this movie, Three Movie Buffs. Their results are more than interesting, they are loaded with logistical details about the movie. If you have a "thing" for this movie, you should read their reviews.
Anyway, we'll talk more when I receive the movie and watch it afresh.
Actor Role Actor Role Actor Role Actor Role Arnold Schwarzenegger Conan the Barbarian Gerry Lopez Subotai Sandahl Bergman Valeria James Earl Jones Thulsa Doom Max von Sydow King Osric Mako Iwamatsu Wizard of the Mounds William Smith Conan's Father Sven-Ole Thorsen Thorgrim Ben Davidson Rexor Cassandra Gava Witch Valérie Quennessen Osric's Daughter Nadiuska Conan's Mother Jorge Sanz Young Conan Luis Barboo Red Hair Franco Columbu Pictish Scout Akio Mitamura Mongol General
Here's a link to the Wikipedia write-up of the film.
Release Date: 1982
Directed by John Milius.
Labels: adventure4, fantasy4, max-von-sydow, me-favorite4, oliver-stone, spectacle2, super-hero2, sword-&-sorcery, violence4
Friday, July 22, 2022
Terminator 2: Judgment Day
- Commentary: Under construction.
Actor Role Actor Role Actor Role Actor Role Arnold Schwarzenegger T-800 Terminator Linda Hamilton Sarah Conner Edward Furlong John Conner Robert Patrick T-1000 Terminator Earl Boen Dr. Silberman Joe Morton Miles Bennett Dyson S. Epatha Merkerson Tarissa Dyson Dean Norris SWAT team leader Michael Edwards 2029 John Conner Michael Biehn Kyle Reese Jenette Goldstein Janelle Voight Xander Berkeley Todd Voight
Here's a link to the Wikipedia write-up of the film.
Release Date: 1991
Directed by James Cameron.
Labels: apocalyptic, dramaF, horror2, popcorn-and-soda7, science-fiction2, spectacle2, super-hero2, suspense3, thriller3, tragedy2, violence4
Friday, July 15, 2022
The Terminator
- Commentary: Well, people, I looked, and looked, and looked and couldn't find a review of this movie by Roger Ebert anywhere (although the reviews from Three Movie Buffs, to which I linked to the title of this post, more than suffice). I was sure I was, somehow, just missing it. Then, I chanced upon this admission, courtesy of IMDb and a dead link to "ReelzChannel", although Reelz certainly does exist, but searches there for "Roger Ebert" and "Terminator", came up with no results. In case you don't want to wander over to the link, it says that Roger Ebert admitted in 2009 that he'd never seen this movie.
That just didn't seem plausible, and I'm nothing if not dogged, so, of course, I continued to look and discovered this clip from Siskel & Ebert's television show At the Movies in which Ebert not only admitted to liking the movie, but particularly liked the peculiar angle of the love story. Although the clip is not dated, it is clear from the conversation that Siskel & Ebert were reviewing it during the movie's first theater run, which was in 1984.
Why is all this important? Well, through the many years since its release, this movie has gone up and up in audience and critical appraisal. The following two links to articles about the movie at Roger Ebert.com [30 Minutes on the Terminator] and the first two movies of the Terminator series [James Cameron's great double feature] underline this growing enthusiasm. In addition, the movie is certainly memorable. Not only did I remember it well, as I described to MFS a few days ago, "There's nothing like watching Arnold Terminator unfold into earthly existence."
Actor Role Actor Role Actor Role Actor Role Arnold Schwarzenegger The Terminator Michael Biehn Kyle Reese Linda Hamilton Sarah Conner Paul Winfield Ed Traxler Lance Henriksen Vukovich Bess Motta Ginger Rick Rossovich Matt Earl Boen Dr. Silberman
Here's a link to the Wikipedia write-up of the film.
Release Date: 1984
Directed by James Cameron.
Labels: apocalyptic, dramaF, horror2, popcorn-and-soda7, science-fiction2, spectacle2, super-hero2, suspense3, thriller3, tragedy2, violence4
Tuesday, May 24, 2022
Ben Hur
- Who's watched: M & G
- Mentions: None
- Commentary: We acquired this movie just before last Easter when I was on a mission to obtain every jesus/bible related movie that we didn't already own. I didn't know whether Mom had ever seen this movie, but she was up for it when I mentioned it to her and was immediately enraptured in it's sprawl. She's also, of course, is a big fan of over-the-top drama of the period in which this was made.
So am I, depending, and this movie didn't disappoint me, but, I have to say, The Ten Commandments is still my preferred movie spectacle film. I think. It depends. If I want some realistic spectacle grit, this is my go-to. If I want silky theatrics, then I opt for The Ten Commandments.
Update 5/24/22: Yet another post published on 4/09/09 that "disappeared" and I had to recapture.
Actor Role Actor Role Actor Role Actor Role Charlton Heston Judah Ben-Hur Jack Hawkins Quintus Arrius Haya Harareet Esther Stephen Boyd Messala Hugh Griffith Sheik Ilderim Martha Scott Miriam Cathy O'Donnell Tirzah Sam Jaffe Simonides Finlay Currie Balthazar Frank Thring Pontius Pilate Terence Longdon Drusus George Relph Tiberius Caesar
Here's the Wikipedia write-up for this movie.
Release Date: 1959
Directed by William Wyler.
Labels: action3, adventure3, bible-movies1, charlton-heston, drama7, jesus-dvds, period3, popcorn-and-soda3, revenge1, spectacle2, violence3
Aguirre, The Wrath of God
- Who's watched: M & G
- Mentions: *1* *2*
- Commentary: My mother's interest in this movie was a big surprise for me. I didn't expect her to enjoy it because it is subtitled, it portrays a brutal episode in history and Werner Herzog spared no one and nothing in making this movie, but she was mesmerized by it. Unfortunately, the only copy we were able to obtain was one that had been "formatted for your screen"...big problem with this movie, since it depends on panoramic scenes, especially in the beginning, but I don't think my mother noticed or cared. I will probably keep tabs on versions of this movie and replace my copy with a widescreen version at some time in the future.
Update 5/24/22: Yet another post published on 4/09/09 that "disappeared" and I had to recapture.
Actor Role Actor Role Actor Role Actor Role Klaus Kinski Lope de Aguirre Helena Rojo Inés de Atienza Ruy Guerra Don Pedro de Ursúa Del Negro Brother Gaspar de Carvajal Peter Berling Don Fernando de Guzmán Cecilia Rivera Flores de Aguirre Daniel Ades Perucho Alejandro Repullés Gonzalo Pizarro
One of Roger Ebert's Great Movies.
Here's the Wikipedia write-up for this film.
Release Date: 1972
Directed by Werner Herzog.
Labels: adventure3, drama7, haunting2, historical2, period3, political3, spectacle2, violence3, werner-herzog
Wednesday, May 18, 2022
Hero
- Who's watched: M & G
- Mentions: None
- Commentary: I rented this movie a couple of weeks ago just to undergird my decision to purchase it. Mom was thoroughly bored, so bored that she wandered around looking for things to do, at one point, while doing crosswords, asked, "Is that thing still on?!?", so my viewing was highly distracted.
No matter. Martial Arts movies of all stripes are another of my guilty movie pleasures. I am particularly fascinated with the use of color in this movie. I am approaching it rather more as though it were a Little Buddha movie, rather than a "guilty pleasure" movie. I like the idea of the telling of stories being the subject as well as the discipline of the movie. I find the depiction of the 'heroine', as well, thoughtfully complex, and the world view thought provoking and disturbing.
Update 11/17/2021: This post was originally published February 6, 2005. It was one of the accidental deletions that occurred, which is covered in this post.
Actor Role Actor Role Actor Role Actor Role Jet Li Nameless Tony Leung Broken Sword Maggie Cheung Flying Snow Chen Daoming King of Qin
Here's a link to the Wikipedia write-up of the film.
Release Date: 2002; 2004 in the U.S.
Directed by Zhang Yimou.
Labels: §1, action3, dramaC, dream2, period6, political5, spectacle2, suspense3
Gone with the Wind
- Who's watched: M & G
- Mentions: None
- Commentary: I am probably more of a fan of this movie than my mother. She loves the eye spectacle, and every time we watch it, which is at least once a year, she mentions several times that she would have loved to have lived during the period of the regal, stately Southern U.S.
Roger Ebert reviewed Gone with the Wind (link to his review in the title of this post) in order to christen it as one of his Great Movies. Very interesting review. He does not sidestep the discomfort we have about it, now, nor does he dismiss the technical brilliance that brought this movie to the screen. Read it, if you get a chance.
Glenn Erickson DVD Savant weighs in on the movie, twice, cogently. Here's his first review. Here's his second. If you're at all interested in this movie and have gotten past your embarrassment on behalf of the United States and whiteness, in general, for producing either the novel or the movie, you should read these reviews, and, maybe, consider watching the movie.
For me, I love reminding myself that the best, most successful romance in the history of romance stories contains a heroine who is wily and unredepemptive and whose one sterling quality is her ability to survive, despite who she hurts in the process. The hero, a scoundrel himself, is more sympathetic than the heroine.
When we watch this movie, it is always a "planned" watching; in other words, we plan appropriate food, make sure the phone ringer is off, and settle in for several hours. It is, for us, an Event Movie.
Update 11/17/2021: This post was originally published February 6, 2005. It was one of the accidental deletions that occurred, which is covered in this post.
Actor Role Actor Role Actor Role Actor Role Vivien Leigh Scarlett O'Hara Clark Gable Rhett Butler Olivia de Havilland Melanie Hamilton Leslie Howard Ashley Wilkes Hattie McDaniel Mammy Butterfly McQueen Prissy Carroll Nye Frank Kennedy Harry Davenport Dr. Meade
Here's a link to the Wikipedia write-up of the film.
Release Date: 1939
Directed by Victor Fleming.
Labels: dramaC, period6, romance4, shared-favorite, spectacle2
Sunday, May 08, 2022
Koyaanisqatsi: Life Out of Balance
- Who's watched: M & G
- Mentions: None
- Commentary: This movie is one of a trilogy of graphic expeditions. You can read more about the trilogy and the individual films at the link provided. They are visually provocative to watch. I've seen all three at least once, own two, and I can't say that the films provoke within me what the Navajo words that entitle each episode 'mean'. This has its frenetic moments but it is so well put together that when you have just about had enough visual speed, it slows down and your mind begins to make sense of what it's seeing, again.
Of the two we own Mom stayed with this one the longest. She had absolutely no patience for the second one, Powaqqatsi.
Of the three, this one is my favorite. It is like an animated coffee table book that makes you think and feel. Of the three it is the most active.
Update 5/8/22: This post was originally published on 2/7/2005, but I accidentally deleted it a few days ago. Now, it's back, in its original glory.
Here's a link to the Wikipedia write-up of the film.
Release Date: 1982
Directed by Godfrey Reggio.
Labels: dream2, film-art2, me-favorite4, political4, spectacle2
Wednesday, January 26, 2022
Far from the Madding Crowd
- Commentary: Yes, I paid attention to the note to myself and scrounged for a copy of this movie. I haven't watched it, yet, I just received it today, but plan on snuggling into it tonight.
This movie is a part of the tidal wave of luxurious English period pieces, more than a few directed by the director of this movie, that appeared in theaters in the late 1960's through the mid 1970's. Not that there aren't many that appeared outside that time frame, there have been (and continue to be). But, during this period there was a peculiar thirst in the (primarily American and British) movie watching public for theatrical stories featuring English actors and English period settings (with complications intact, please). I'm not sure if this movie was the most celebrated one of this group, but it was wildly popular, so popular that, although I wasn't much of a movie attendee during the time it initially hit the theaters (because of where I lived and the island's inavailability of movies and movie theaters), I saw this one during its first run.
Interesting fact about this Thomas Hardy story: It has been made into a movie at least four times (starting in 1915, culminating, so far, in a 2015 version) and the book version, on Amazon, runs to 4+ pages. Its listings may run on for several more pages. I simply continued no further than the fourth.
The book (and story) were so popular when I was in high school (when the movie was released) that we read the book in my Comp Lit class. I vaguely remember enjoying the book, I remember vigorous discussions in class about the differences between the movie and the book, but I also remember imagining the characters, as I read, as each of the gaggle of British movie actors who were featured in the film.
The story has a feminist cast. I remember this being heavily discussed in our Comp Lit class, which shouldn't seem unusual, considering the year we studied it. I also remember, though, being mightily disappointed in the ending of both the movie and the book for this very reason. Although I can't remember if Bathsheba's independence was refuted, in the end, by either presentation, I do remember my disappointment clearly. It crystalized as the knowledge that there was no Alan Bates out there who had, was or would woo me, nor was there a Peter Finch or a Terence Stamp. My independence and feminism, in fact, were considered far from alluring and, at times, abrasive. This issue was not an insignificant part of our classroom discussions.
Anyway, I'll likely write more once I re-watch the movie, so, Dear Reader, stay tuned. I might even be inspired to re-read the book.
Update 1/27/2022: I watched this entire film (it lasts almost three hours) today. Luckily, there were intermissions and entractes (one of each, I think, but I'm not sure) which made for handy make-another-cup-of-coffee breaks. Whew! Very involving, primarily to look at, partially to follow the story. I'd forgotten about that. I'm glad I picked this one up.
Terence Stamp's performance is so enjoyable. I laughed delightedly at his playfully, fiercely erotic sword-play exhibition devised on the spot to woo Bathsheba. I wished his character had been in the film more, even though the story revolved around his involvement with Bathsheba. As I was watching the movie, I made a vow to seek out more of his filmography.
Although all the actors turn in peak performances, in my opinion the four clear standouts are Terence Stamp, Peter Finch, Fiona Walker as Liddy and Freddie Jones, who played Cainy Ball with a zest that provoked a smile from me every time his character appeared. I have no complaints about the other actors. Everyone was in exacting form, whipped into shape, no doubt, by director John Schlesinger, who coaxed outstanding performances from even the minor, minor characters. Yes, I know, Julie Christie and Alan Bates are not mentioned above. The problem, from my perspective, is that all the roles excepting the four I mention in the first sentence of this paragraph, were, well, ho-hum. Even Bathsheba Everdene's independence and "feminism" is, well, very visible, but, frankly, all the female characters had very strong wills. When I realized this, about half way through the movie, another part of me stood and took appreciative notice. I wish I could remember if this female independence was present in the book. I think I may have to go back and reread it, just to satisfy my curiosity about that.
Anyway, I found the film riveting, loads of fun to watch. It made me glad it's a part of my collection. I'll be watching it again. It also whetted my appetite for yet another British movie in the same vein released in the same approximate time period: The Go-Between. Alas, so far, I haven't found a source for the purchase of this one, not Amazon, nor Barnes & Noble, nor anywhere else, unless I want a Region 2 copy that would be of no use to me instead of a Region 1 copy that will actually play on my DVD player. I'm mystified as to why this movie appears not to be available. Ah, well. I'll keep looking.
When I watch a sprawling, well done epic like this one, I realize, once again, how much I love this type of movie and find myself hungering for another, and another ... So, yes I made a short list of epic movies I own that I haven't seen recently: one Dutch, two American and three British. I'll probably be littering tomorrow and my weekend with them. Too bad rain or snow are not in the forecast. My line-up would be perfect for a precipitous weekend+one.
Update 1/28/2022: While pulling a web crawl for The Go-Between to see if I might find a freely available copy to view, I suddenly had a flashback to having watched the movie on Guam when it came out. I'd read the book, not as a class project but because My Florida Sister had become mesmerized by it and I wanted to see what had captured her interest. I enjoyed the book. Then, the movie arrived, I went to see it, and, you know what? Today I remembered my reaction to the film: seething disappointment; which surprised me, at the time. But, now, my memory counsels me, don't look any further, because, again, you won't like what you see. Now, that I'm remembering my initial reaction, I'm wondering if it garnered so much acclaim because it was considered kind of a "Far from the Madding Crowd II" ... only it wasn't. So, that search is over. Thank the movie gods.
BTW, I included far more names in the table below than were necessary because the names of the characters are so fascinating. In many cases (probably most, if not all, I haven't watched the film through that lens, yet) the names are a take on the portrayal of the person. Or vice versa. I'm willing to bet that Thomas Hardy was suggesting both.
Actor Role Actor Role Actor Role Actor Role Julie Christie Bathsheba Everdene Terence Stamp Frank Troy Peter Finch William Boldwood Alan Bates Gabriel Oak Fiona Walker Liddy Prunella Ransome Fanny Robin Alison Leggatt Mrs. Hurst Paul Dawkins Henry Fray Denise Coffey Soberness John Barrett Joseph Poorgrass Freddie Jones Cainy Ball Peggy Ann Clifford Fat Lady at Circus
Here's a link to the Wikipedia write-up of the film.
Release Date: 1967
Directed by John Schlesinger.
Labels: dramaE, period6, romance5, spectacle2
Sunday, May 06, 2007
Planet Earth
- Who's watched: M & G
- Mentions: None
- Commentary: Don't tell me you're suprised we purchased this series! Thank the gods, the version with David Attenborough narrating was available. Although we watched the series on TV when it aired on Discovery at the beginning of April (and immediately pre-ordered it), both of us had problems with Sigourney Weaver's narration. I didn't say anything until Mom spoke up and said, "That woman sounds like an old-time school marm! Couldn't they get someone better?!?"
Yes, they could and did.
Even if you're a veteran of animal and nature shows, as many Ancient Ones and their caregivers are, this series is a stunner. The addition of the three episode "Planet Earth-The Future" is oddly intriguing, since it involves interviews with died in the wool Greens and those who take issue with all the propositions included in the current global warming hysteria (yes, it is an hysteria, even if it turns out to be reliable), as a well as a smattering of people who are depressed by the realities inherent in trying to get humans to cooperate across the board in changing the ways we live on our planet.
I noticed that the script is, first, a little contradictory. In one place it mentions that glacial movement is the most devastating eroder of landscape. Then, in another episode, it states that moving water is. Granted, they both states of H2O, but their different states and properties have vastly different impacts upon the land. I vote for glacial movement. As well, I'm not sure how long this series was in development from the very beginning, but it inaccurately states, in the forest section, that a redwood is the largest living organism on Earth. A few years ago it was discovered that a mushroom was, in fact, the largest living organism. Truth is, we'll probably discover something that's even larger, one of these days.
Nonetheless, this series is a stunner. We watched it again tonight (which is last night, now). I know we'll watch it again. And again.
Here's a link to the Wikipedia write-up of the film.
Release Date: 2006
The series was co-directed by Alastair Fothergill & Mark Linfield.
Labels: documentary1, film-art1, interview, mom-favorite1, political3, popcorn-and-soda3, science, sigourney-weaver, spectacle2, TV1
Friday, March 09, 2007
One Night with the King
- Who's watched: M & G
- Mentions: None
- Commentary: This is the story of the biblical Esther with additional drama and eye candy. Although some of it is authentic, much was added in order to attract an audience. I don't think it got very good reviews, but I've noticed, as well, that Costco has increased its stock of this movie in order to accommodate the high demand for it on DVD. I understand that demand. It is thoroughly involving and enjoyable to watch. John Rhys-Davies is commanding, as always, the portrayal of Esther is enjoyably whimsical, the King of Persia, which not particularly well acted, is played by a man who has a sufficiently exotic charisma, even the part of Haggai is noteworthy. It's fun, as well, to watch the cameos of Peter O'Toole and Omar Sharif. It is full of eye candy, a rival to The Ten Commandments, at least in this respect, and the dramatic emphasis is satisfying. Although it is probably the least accurate of the movie bible portrayals that we own, I would have to say that it's one of my mother's favorites. At this writing we've probably viewed it four times, three at my mother's request, and we've had it only two weeks. Much to my ambivalent chagrin and delight, it's a winner in our household.
The only reliable and fair review I could find is, yes, a "Christian" review, for a "Christian" audience, but it is surprisingly fair and actual brings some critical skill to bear, noticing technical flaws that I didn't notice.
Update 8/2/21: Funny thing. As I was adding the director to this movie, I was reminded of my ambivalence about it, then, suddenly, I remembered when I saw and bought the movie at Costco, without having seen it.
There was a woman next to me at the DVD table (which Costco no longer has) picking up a copy and saying to me, "I just love this movie! Don't you just love this movie?"
I admitted that I hadn't yet seen it and was buying it because my mother enjoys bible movies.
"Oh," she gushed, "You'll both just love it!"
Weird that I even have that memory!
Actor Role Actor Role Actor Role Actor Role Tiffany Dupont Hadassah/Esther Luke Goss Xerxes I of Persia John Rhys-Davies Mordecai Omar Sharif Prince Memucan Tommy Lister, Jr. Hegai Jonah Lotan Jesse John Noble Admatha James Callis Haman Peter O'Toole Prophet Samuel Denzil Smith Prince Carshena Jyoti Dogra Queen Vashti Tom Alter King Saul Aditya Bal King Agag Dilshad Patel Anna Nimrat Kaur Sarah Asif Basra Prince Marsena
Here's a link to the Wikipedia write-up of the film.
Release Date: 2006
Directed by Michael O. Sajbel.
Labels: bible-movies1, mom-favorite1, popcorn-and-soda3, royals, spectacle2
Tuesday, November 21, 2006
The Greatest Story Ever Told
- Who's watched: M & G
- Mentions: *1*
- Commentary: Yet another one of Mom's "jesus-dvds" (I use this term tongue-in-cheek, as I also consider The Ten Commandments a "jesus-dvd"). I didn't think we'd ever own it because the last time we watched it on TV I noticed there were no English subtitles, which is essential for my mother's enjoyment of any movie. I found a cheap copy of it at the grocery store today, though, with closed captioning (although no English subtitles, which is unfortunate since closed captioning is sometimes kind of iffy on our set) so decided I'd get it for Mom. I think this is one of her favorites of this genre; not because it features yet another Nordic Jesus, but because of the scope and grand presentation. And, it's length. Weighty movies work better for her when they go to extreme lengths. This is not my favorite, but I am attracted to it's spectacle.
Now all we need to do is procure a copy of The Last Temptation of Christ [we finally did procure a copy of this movie] and Mom will figure we're set.
Update 2/7/18: Yes, I donated this movie to my local library. In the end, I knew I would never watch it again. Funny, because there are several jesus-dvds and bible epics in my/our collection that I enjoy, even when they are clearly cheesy. But this one? No can do. Sorry, Mom.
Update 5/16/2022: The cast in this movie is stupendous. Take a look at the Wikipedia segment about it; not the listing, but the paragraph below. An even better, more complete, list is the one at IMDb, as it attaches more actors to their roles than Wikipedia. It's a lot of fun to go through it. It was as though the production company decided to corral every actor signed to the overseeing studio into one movie before they started dying off. I mean, Pat Boone as The Angel at the Tomb? Really? Clearly, I mean, clearly a vanity project, and an unsuccessful one, at that. But, Mom loved it. I have a feeling there were, and are, a lot of Christian women "of a certain age" that feel the same.
Actor Role Actor Role Actor Role Actor Role Max von Sydow Jesus Dorothy McGuire The Virgin Mary Charlton Heston John the Baptist Claude Rains Herod the Great José Ferrer Herod Antipas Telly Savalas Pontius Pilate Martin Landau Caiaphas David McCallum Judas Iscariot Donald Pleasence The Dark Hermit - Satan Michael Anderson Jr. James the Less Roddy McDowall Matthew Joanna Dunham Mary Magdalene Joseph Schildkraut Nicodemus Ed Wynn Old Aram Pat Boone Angel at the Tomb Shelley Winters Woman Who Is Healed
Here's a link to the Wikipedia write-up of the film.
Release Date: 1965
Directed by George Stevens.
Labels: bible-movies1, charlton-heston, claude-rains, drama8, jesus-dvds, max-von-sydow, mom-favorite1, period4, spectacle2, van-heflin
Saturday, November 11, 2006
The Ten Commandments
- Who's watched: M & G
- Mentions: *1* *2* *3* *4* *5*
- Commentary: Although I can't remember my journal comments, I'm sure, if you're even a semi-regular reader of my journal(s) about my mother, you know that this is one of my mother's all time favorites, and I've come to enjoy it, as well. I love the opulence, the story, the acting and the sets. I am proud to say that I can quote dialog from this movie. I never get tired of my mother wanting to see this movie. Each time she decides to watch this movie, the chances always become excellent that I will drop what I'm doing and join her.
Update 2/10/18: For fun, I thought I'd link the title of this write-up to the original 1956 review of this movie in the New York Times.
Update 8/19/19: I just discovered, to my dismay, that the old title link to the original NYT review of this movie dead-ended; so, I looked up the review and attached the new link. Just in case, though, I am appending the entire November 9, 1956, review (by Bosley Crowther) below. Take note of the opening sentence, it's quite interesting. So is the later commentary on the special effects in the movie:
"AGAINST the raw news of modern conflict between Egypt and Israel—a conflict that has its preamble in the Book of Exodus—Cecil B. De Mille's "The Ten Commandments" was given its world première last night at the Criterion Theatre, and the coincidence was profound. For Mr. De Mille's latest rendering of Biblical literature in the spectacular framing and colloquial idiom of the screen tells an arresting story of Moses, the ancient Israelite who was a slave with his people in Egypt and who struggled to set them free.
"As Mr. De Mille presents it in this three-hour-and-thirty-nine-minute film, which is by far the largest and most expensive that he has ever made, it is a moving story of the spirit of freedom rising in a man, under the divine inspiration of his Maker. And, as such, it strikes a ringing note today.
"But aside from the timely arrival and contemporary context of this film, it is also a rather handsome romance in Mr. De Mille's best massive style. To the fundamental story of Moses, as told in the Old Testament and reflected in other ancient writings consulted by Mr. De Mille, he and his corps of screen playwrights have added some frank apocrypha which, while they may not be traceable in history (or even in legend), make for a robust tale.
"In this imaginative recount, Moses is raised as a prince in the palace of Egypt's Pharaoh, after being found, as the Bible tells, by the Pharaoh's daughter in the bullrushes, where he was hidden by his mother, a Hebrew slave. And as a presumed Egyptian, he is a candidate for the Pharaoh's throne and a rival for the love of a luscious princess with the Pharaoh's own son Rameses.
"As one might well imagine, the plot-minded Mr. De Mille does not pass lightly or briefly over this phase of his tale. Moses, as played by Charlton Heston, is a handsome and haughty young prince who warrants considerable attention as a heroic man of the ancient world. And Anne Baxter as the sensual princess and Yule Brynner as the rival, Rameses, are unquestionably apt and complementary to a lusty and melodramatic romance.
"But the story is brought back to contact with the Bible and with its inspirational trend when Moses discovers, acknowledges and is exiled from Egypt because of his Hebraic birth. Then Mr. De Mille, who, incidentally, acts as narrator for his film in many of its more exalted stretches, takes him into the wilderness and establishes his contact with his Maker, which leads to the Exodus and the Covenant on Mount Sinai.
"In the latter phases of the drama, wherein the impulse to set his people free from the bondage of Egypt flames in Moses, the spiritual and supernatural surge comes somewhat bluntly in the picture, and the performance of such awesome miracles as the crossing of the Red Sea and the burning of the Ten Commandments into the tablets of stone may strike the less devout viewer as a bit mechanical and abrupt.
"Also, and with all due regard for the technical difficulties besetting Mr. De Mille, we must say his special effects department was not up to sets or costumes. The parting of the Red Sea is an obvious piece of camera trickery in which two churning walls of water frame a course as smooth and dry as a race track. And the striking off of the Ten Commandments by successive thunderbolts, while a deep voice intones their contents is disconcertingly mechanical.
"However, in its other technical aspects—in its remarkable settings and décor, including an overwhelming facade of the Egyptian city from which the Exodus begins, and in the glowing Technicolor in which the picture is filmed—Mr. De Mille has worked photographic wonders. And his large cast of characters is very good, from Sir Cedric Hardwicke as a droll and urbane Pharaoh to Edward G. Robinson as a treacherous overlord. Yvonne DeCarlo as the Midianite shepherdess to whom Moses is wed is notably good in a severe role, as is John Derek as a reckless Joshua.
"This is unquestionably a picture to which one must bring something more than a mere wish for entertainment in order to get a full effect from it. But for those to whom its fundamentalism will be entirely credible, it should be altogether thrilling and perhaps even spiritually profound."
The title link to the NYT article that ran when the movie premiered, is back, again, and appears to be generally available to all digital readers of NYT, not just subscribers. I'm not sure why, and I don't trust it, so, just in case, I'm keeping this link in reserve.
As an aside, from a Special Feature which accompanies the DVD of the movie, Charlton Heston tells viewers that he also voiced God in the movie, and gives an interesting reason: He imagined that the voice of God would come from within oneself and would, therefore, sound like oneself.
Update 6/22/2022 Regarding the voice of God: Although there is considerable confusion online about who voiced God in this movie, what finally seems apparent is that God was voiced by more than one actor. Jesse Delos Jewkes definitely voiced God in the Ten Commandments Tablet scene. [See, also, this article about Jesse Delos Jewkes.] Charlton Heston, in an interview available on my "Special Edition" copy of the movie, said that he was the voice of God; it seems apparent that, for the Burning Bush scene, he probably was (which is confirmed in the Wikipedia article about this movie). Other sources credit Cecil B. DeMille as voicing God in certain segments of the movie, but I cannot find anything authoritative to confirm this. Perhaps we will never know, for sure, how many actors voiced God in this movie and who all of them were.
Yet another link, if you can handle it. Aside from the DVD Savant review I linked in the title, he wrote another review when the blu-ray edition was released with an extra 11 minutes of footage added to the film. I think. I'm not sure. That might be an extra 11 minutes of special features. At any rate, although some of the review is repetitive, it also adds knowledge and perspective, having been written 7 years after his initial review. So, I'm including it in the immediately previous link.
My Final Commentary 8/19/19: I don't consider it true that "one must bring something more than a mere wish for entertainment in order to get a full effect" of the movie. I was not a god-believer when I initially saw the movie and have not been since. The movie's "full effect", however, subsumes me every time I watch it. In fact, after having updated this post, I'm thinking, this afternoon might be a good time for me to watch the movie, again. Just for fun, and to enjoy that subsumation experience, once again.
My Absolute Final Commentary 6/21/2022: I'm about a third of the way through a special on YouTube about the making of The Ten Commandments - 1956. Watching it reminded me of some family history surrounding this movie that I want to record. This movie is the very first DVD that Mom and I obtained. At that time, neither of us had any idea that we would build a large collection around it. One year, I'm not sure which year but it was definitely post 1997 (when she bought the house in Prescott, in which I continue to reside), MFS sent us a coupon for Blockbuster Video in celebration of some holiday or birthday or something-or-other. Mom and I initially figured we'd use it to rent movies, since we'd established a habit of doing this in Mesa and Prescott. Mom sent me to the store while she begged off by saying, "I feel a nap coming on. Get something good for tonight." When I discovered that The Ten Commandments - 1956 was on sale and fit right into the budget established by the gift certificate from MFS, I realized I had a decision to make. I knew that this was a movie that both Mom and I would want to see again and again and decided, instead of renting a few movies that we may or may not watch before they were due back, to buy this movie. I remember Mom being very excited about my choice of "rental" and even more excited when I told her I out-right bought it so we could watch it whenever we wanted. That's where, and how, our movie collection began. From that point on Mom's preference was to own, not to rent, and I had no quarrel with that decision. No, Virginia, I don't remember what our second movie purchase was. It doesn't matter, really. With this movie, alone, our collection was off and running.
Actor Role Actor Role Actor Role Actor Role Charlton Heston Moses/Voice of God Sir Cedric Hardwicke Seti I Yul Brynner Rameses II Anne Baxter Nefretiri Edward G. Robinson Dathan Yvonne De Carlo Sephora Debra Paget Lilia John Derek Joshua Nina Foch Bithiah Martha Scott Yochabel Judith Anderson Memnet Vincent Price Baka John Carradine Aaron Olive Deering Miriam Eduard Franz Jethro John Miljan The Blind One
Here is the Wikipedia article about the movie, just in case.
Release Date: 1956
Directed and Narrated by Cecil B. DeMille.
Labels: bible-movies1, charlton-heston, drama8, moses, period4, popcorn-and-soda4, religion1, shared-favorite, spectacle2
The Passion of the Christ
- Who's watched: M & G
- Mentions: *1* *2* *3*
- Commentary: For both my mother and me, the controversy over this movie was beside the point. My mother is an aficionado of both Jesus and religious movies, so, of course, she had to see this one. If I hadn't been living with my mother when it came out, I probably would not have seen it, but not in some sort of intellectual or spiritual protest. I wouldn't have bothered because I know the story so well and know what I believe about the issues it raises.
The rough and violent nature of the movie bothered neither of us. We discussed, briefly, whether Jesus was singled out for unusual torture, as, basically, his crucifixion was all in a day's work, and he wasn't the only person crucified on the day he died, nor was he the only person ever convicted of exactly the type of political treason that sent him to Golgotha.
Other than that, my mother's favorite "character" in the movie is the oblique, white head of who she assumes to be "satan", or, more appropriately, as she expressed it, the spirit of evil and selfishness luring Jesus to turn his back on his mission. The head reminds me a bit of the spirit masks floating about in Spirited Away.
I've linked the title of this post to Roger Ebert's extraordinary and cogent review of this movie.
The movie is definitely a winner from the "Bible Movie" perspective, for my mother.
Actor Role Actor Role Actor Role Actor Role Jim Caviezel Jesus of Nazareth Maia Morgenstern Mary, mother of Jesus Monica Bellucci Mary Magdalene Luca Lionello Judas Iscariot Rosalinda Celentano Satan Luca De Dominicis Herod Ántipas Pietro Sarubbi Barabbus Hristo Naumov Shopov Pontius Pilate Giacinto Ferro Joseph of Arimathia Sergio Rubini Dismas, Penitant Thief Mattia Sbragia Caiaphas Francesco De Vito Peter
Here's a link to the Wikipedia write-up of the film, which outlines some of the controversy against which Roger Ebert was writing in his review.
Release Date: 2004
Directed by Mel Gibson.
Labels: bible-movies1, drama8, jesus-dvds, mel-gibson, mom-favorite1, period4, religion1, spectacle2, violence3
Wednesday, October 11, 2006
How the West Was Won
- Who's watched: M & G
- Mentions: *1*
- Commentary: This is one of my parents' historical favorites. I remember watching it in the theater but discovered, upon rewatching it (I got it for my mother's birthday this year) that I'd misremembered quite a bit of it and apparently mixed it up with another movie that featured the great prairie land grab, which isn't covered in this film. My mother, who has become much more sophisticated about the depictions of Native Americans in movies, although there is actually little in this film but N.A. hearsay, was unsettled enough by what it included to voice her objections. Otherwise, we both enjoyed the sprawl, became surprisingly involved in the stories, loved some of the individual performances (Will Geer's, in particular, as the patriach of a river pirate family and Carroll Baker's surprisingly subtle performance as a pioneer wife). I was intrigued by the Civil War sequence, as well. My mother devoured the entire movie and breathed a satisfied sigh through a satisfied smile when it was over. "Let's start that again," she said. Luckily, we had another movie which she was equally anticipating, Jeremiah Johnson. This movie will be one of those "snowy/rainy day when I'm baking" movies, I'm sure. I don't think I'll become as fascinated with it as I have The Ten Commandments, of which I often find myself needing a fix, but I don't think I'll ignore it when I'm playing it for Mom, as I do some movies.
P.S. There are so many stars in this movie that I almost considered only listing one per section. The point of these listings, though, is to highlight actors in whose work I might like to luxuriate on, say, a couple of back-to-back snow or monsoon days. Leaving this movie out would be a travesty to that desire.
Thus, in order to make the listings a bit less jumbled, I'm setting them up as did Wikipedia, by section in the multiple tables below.
The movie is narrated by Spencer Tracy.
The Rivers Actor Role Actor Role Actor Role Actor Role James Stewart Linus Rawlings Carroll Baker Eve Prescott Rawlings Debbie Reynolds Lilith Prescott van Valen Karl Malden Zebulon Prescott Agnes Moorehead Rebecca Prescott Walter Brennan Col. Jeb Hawkins Brigid Bazlen Dora Hawkins Lee Van Cleef River Pirate
The Plains Actor Role Actor Role Actor Role Gregory Peck Cleve Van Valen Robert Preston Roger Morgan Thelma Ritter Agatha Clegg David Brian Lilith's attorney John Larch Gambler Grimes Clinton Sundberg Hylan Seabury
The Civil War Actor Role Actor Role Actor Role Actor Role George Peppard Zeb Rawlings Andy Devine Cpl Peterson Harry Morgan Gen. Ulysses S. Grant John Wayne Gen. William Tecumseh Sherman Russ Tamblyn Confederate Deserter Raymond Massey President Abraham Lincoln Ken Curtis Cpl. Ben Jay C. Flippen Huggins
The Railroad Actor Role Actor Role Henry Fonda Jethro Stuart Richard Widmark Mike King
The Outlaws Actor Role Actor Role Actor Role Lee J. Cobb Marshal Lou Ramsey Eli Wallach Charlie Gant Carolyn Jones Julie Rawlings Mickey Shaughnessy Deputy Stover Harry Dean Stanton Member of Gant's Gang Jack Lambert Member of Gant's Gang
Here's a link to the Wikipedia write-up of the film.
Release Date: 1962
Directed by Henry Hathaway, John Ford and George Marshall.
Labels: carroll-baker, dad-favorite, debbie-reynolds, eli-wallach, gregory-peck, harry-dean-stanton, henry-fonda, james-stewart, karl-malden, lee-j-cobb, mom-favorite1, spectacle2, spencer-tracy, thelma-ritter, western
Friday, February 10, 2006
The Sound of Music
- Who's watched: M & G
- Mentions: None
- Commentary: I actually asked Mom, when I noticed the 40th anniversary edition of this movie at Costco, if she wanted me to purchase a copy. Silly question. Although most of the songs are too catchy to be believed and I have good-but-not-quite-reverent memories of this movie, if she'd said "No" I would have heeded her request. Some years ago, when one of my nieces was much younger, this movie was her absolute favorite, always playing at her family's house to the point where I entered "The Sound of Music" overload and have yet to exit that state. I have to say, though, "watching" the movie while doing chores and tending to my mother is pleasant and my mother is thoroughly entertained, singing along, rocker-dancing, etc. As well, this edition includes the Biography channel program about the real Von Trapp family, which is enormously interesting, so much so that we found ourselves searching through movie scenes afterwards to compare fact with fiction.
Actor Role Actor Role Actor Role Actor Role Julie Andrews Maria Christopher Plummer Cpt. von Trapp Eleanor Parker Elsa von Schraeder Richard Haydn Max Detweiler Peggy Wood Mother Abbess Charmian Carr Liesl von Trapp Daniel Truhitte Rolf Gruber Nicholas Hammond Friedrich von Trapp Angela Cartwright Brigitta von Trapp Marni Nixon Sister Sophia Anna Lee Sister Margaretta Portia Nelson Sister Berthe
Here's a link to the Wikipedia write-up of the film.
Release Date: 1965
Directed by Robert Wise.
Labels: biography2, christopher-plummer, julie-andrews, musical1, period4, popcorn-and-soda4, romance2, spectacle2
Monday, November 14, 2005
The Last Emperor
- Who's watched: M & G
- Mentions: *1*
- Commentary: This movie causes both Mom & me to swoon. I'm pleased we finally own a copy. It's a "mood movie" for me: When I'm in the mood to watch it, nothing can take it's place and when we didn't own it I hungered for it when I wanted to see it.
Here you will find a list of resources about Pu Yi, people surrounding him and his time in history. Excellent resource.
Update 5/13/2022: Yes, I continue to hunger for this movie, at least once a year, sometimes more. It has seemed especially pertinent within the last few years because of the political clashes around the globe over who has a right to govern, and, sometimes, own, countries and regions. Although there is usually some coverage of the challenged governments, these days, there is hardly any coverage of the personal effects on ousted leaders. Covering these concerns regarding the family and staff of those leaders is covered almost never.
Besides this, there are many excellent actors playing these roles.
Actor Role Actor Role Actor Role Actor Role John Lone Adult Puyi Joan Chen Wanrong Peter O'Toole Reginald Johnston Ying Ruocheng Camp Warden Victor Wong Chen Baochen Dennis Dun Big Li Ryuichi Sakamoto Masahiko Amakasu Maggie Han Eastern Jewel Ric Young Camp Interrogator Vivian Wu Wenxiu Cary-Hiroyuki Tagawa Chang Lisa Lu Empress Dowager Cixi Basil Pao Prince Chun Dong Liang Lady Consort Chun Henry O Lord Chamberlain Tijger Tsou Puyi 8 years
Here's a link to the Wikipedia write-up of the film.
Release Date: 1987
Directed by Bernardo Bertolucci.
Labels: biography2, coming-of-age2, dramaA, haunting2, historical3, me-favorite2, political4, royals, spectacle2
















