Thursday, June 09, 2022
Shutter Island
- Commentary: This movie received highly contradictory critiques, from being considered a high best film of 2010 to being declared not having been worth making. It created so much critical controversy that, aside from triggering more than one critic to produce a review of this movie on RogerEbert.com, there were also several critics who opined about the issues the movie raised for them. The immediately previous link takes you to the simple search I performed for the movie's title, which typically brings up only one review per movie.
I found the movie intriguing, involving, enjoyable and ultimately entertainingly disturbing. It was sent to me by MFS, out of the blue. After I watched the film I wondered why she picked it out for me. I still haven't asked her, but now it doesn't matter. I've watched it three times since I received it. I find that with each viewing, I discover something that I need to bookmark in my mind and pull out on a next watching. In fact, I think I might watch it, again, tonight, now that I'm thinking of it.
Although it appears to have a highly complicated plot, by the end you realize that the complications are solely in the main character's mind, not in yours, which, in a sense, increases the satisfaction in watching it. It is also, for me, a bit scary to watch. After the second watching, I found myself speculating that a similar type of confusion could easily afflict me. I wouldn't have the excuse of murder to drive me to confound myself, but there's enough odd about my life that I can imagine becoming troubled over my deep contemplation of myself and not being able to exit. That is the power of this movie. Although few of us are outright murderers, most of us feel deadly guilty about some incident in our lives. Even my mother had such an incident. When she finally told me what it was, it seemed benign enough to me. It did not involve the murder or even the mistreatment of someone. It involved an incident in which she realized she was unfairly prejudiced against a particular group of people (not because of color, because of religion). It did not involve an opportunity to make direct amends. Upon discovering her prejudice she immediately set about conquering it, but the memory of the discovery haunted her, literally, to her dying day, for a full 40+ years, even though she was successful in understanding and overcoming it.
So, essentially, for me, this movie is a reminder that our monsters, as well as our angels, are just beneath the surface, ready, equally, to take advantage of any opportunity to escape.
Update 6/9/2022: This post was originally published on 8/14/16 but disappeared from public view. I am now reinstating it.
Actor Role Actor Role Actor Role Actor Role Leonardo DiCaprio Edward Daniels Mark Ruffalo Chuck Aule Ben Kingsley Dr. John Cawley Max von Sydow Dr. Jeremiah Naehring Michelle Williams Dolores Chanal Emily Mortimer Nurse Portraying Rachel Solando Patricia Clarkson Rachel Solando Jackie Earle Haley George Noyce John Carroll Lynch 1st Deputy Warden McPherson Joseph Sikora Glen Miga Ted Levine The Warden Elias Koteas Andrew Laeddis Ruby Jerins Little Girl Robin Bartlett Bridget Kearns Curtiss Cook Trey Washington Christopher Denham Peter Breene
Here is the Wikipedia write-up for this film.
Release Date: 2010
Directed by Martin Scorsese.
Labels: ben-kingsley, drama2, dream1, emily-mortimer, leonardo-dicaprio, martin-scorsese, max-von-sydow, mystery1, neo-noirC, psychological1
Saturday, June 04, 2022
1900
- Commentary: This is one of those "sprawling historical epics" that tends to put me in a dream state. I am a fan of the director, even though his movies are sometimes difficult on the public. I am a fan of the musical scorer and always delight when I notice his name in the credits before watching a movie, including his collaboration on what general movie mavens consider the questionable compilations The Bible Collection and The Bible Series, both to which I remain devoted and continue to watch on a regular basis. I love all the actors in this movie, including the minor ones.
I can't remember how I learned about this movie, but I checked it out of our library a few years ago, thinking I might enjoy it, despite its length and convolusive structure. I did. Once I watched it, I couldn't get it out of my head. It is a depiction of the struggle between capitalism and communism/socialism (in several guises), but on a very personal level. At the time I first watched it, I was deeply involved in the vagaries of the 2016 U.S. Presidential Election and Bernie had not yet been discarded by the Democratic Party in favor of Hillary. By the time I ordered it for my movie collection I was no longer smarting from debacle of the actual election. I was, however, deep into a reading campaign of literature disparaging capitalism/neo-liberalism and arguing for socialism. Watching this movie again, owning it, helps me put politics into perspective and calms me down, especially in light of everything that's happened since. If you're really into politics and you enjoy movies, you should watch this one.
Update 6/2/2022: This post was originally published on 2/5/2018 but disappeared from public view. I am now reinstating it.
Actor Role Actor Role Actor Role Actor Role Robert De Niro Alfredo Berlinghieri Gérard Depardieu Olmo Dalcò Dominique Sanda Ada Chiostri Polan Francesca Bertini Sister Desolata Laura Betti Regina Donald Sutherland Attila Mellanchini Stefania Sandrelli Anita Foschi Werner Bruhns Ottavio Berlinghieri Stefania Casini Neve Sterling Hayden Leo Dalcò Anna Henkel-Grönemeyer Anita Dalcò Ellen Schwiers Amelia Alida Valli Signora Pioppi Burt Lancaster Alfredo the Elder Romolo Valli Giovanni Berlinghieri Giacomo Rizzo Rigoletto
Here's the link to the Wikipedia write-up for this movie.
Release Date: 1976
Directed by Bernardo Bertolucci.
Labels: §2, anti-fascist, burt-lancaster, donald-sutherland, dream1, gérard-depardieu, historical2, political2, robert-de-niro
Tuesday, May 24, 2022
The Blue Planet
- Who's watched: M & G
- Mentions: none
- Commentary: This is another excellent series produced by the same people who brought us Planet Earth. I have a preference for nature shows that explore water environments and this one stacks up very well. Unlike March of the Penguins, it lives up to its hype, even if you're a regular watcher of the variety of channels that frequently host animal and geographical specials. While I have tended, over the years, to become a bit jaded in the company of Animal-Vegetable-Mineral programs, seeing as how we view so many of them, this one, like Planet Earth, engages me, every episode, every time, and, because of my sub- and unconscious veering toward water videos, adds an extra "dreamy" dimension for me.
Here's a link to the Wikipedia write-up of the film.
Release Date: 2001
Alistair Fothergill is listed as a director for one episode. No other directors are listed.
Labels: documentary1, dream1, film-art1, political3, science, shared-favorite, TV1
Saturday, May 15, 2021
The Last Wave
- Who's watched: M & G
- Mentions: *1*
- Commentary: This movie has haunted me since I saw it when it was first released. My mother has watched it a couple of times with me. She likes the background digideroo music, the otherworldliness of the movie...but she's not interested in trying to make sense of it. Neither am I, so we just watch it in awe on a fairly frequent basis.
Update 5/15/21: This post was originally published on February 9th, 2005. I had to replace it because some glitches had developed in its labels and it wasn't coming up when I corralled most of the labels applied to it. Everything is working fine, now.
Actor Role Actor Role Actor Role Actor Role Richard Chamberlain David Burton Olivia Hamnett Annie Burton David Gulpilil Chris Lee Fred Parslow Reverend Burton Vivean Gray Dr. Whitburn Nandjiwarra Amagula Charlie Walter Amagula Jerry Lee Roy Bara Larry
Here's the Wikipedia write-up for this movie.
Release Date: 1977
Directed by Peter Weir.
Labels: apocalyptic, Criterion1, drama1, dream1, fantasy1, haunting1, me-favorite1, mystery1, peter-weir
Monday, January 28, 2019
Contact
- Commentary: I'm surprised I haven't entered this movie into this index before this. I've owned it for about a year. My movie collecting has slowed, considerably, true, but I didn't realize it had slowed to the point that I was sure I'd entered this one. Everything I've entered in this update is much "younger", in my collection, anyway, than this one.
Thus, it should not surprise you that I've watched it several times since buying it. Which is exactly why I bought it for my collection. I checked this movie out of the library so much that I remember looking it up online and thinking, "This is so cheap, I should just own it!"
For me, this is another one of those movies that has a diaphanous quality to it. No matter how much contact it actually contains, for me the bulk of the movie is about dreaming, wishing, hoping and actualizing, even in the face of the lack of recognition of everyone around you. Sure, it's a cool sci-fi movie. But, bottom line, this movie says to me, experience isn't what others say happened to you, it's what you know happened to you.
In case you're wondering, yes, I read the book upon which it is based long before the movie went into production. The book, perhaps because my primary familiarity with Carl Sagan is through the Cosmos series (which is, in itself, more about dreaming and actualizing than it is about space) was, for my mother and me, an essential fill-in for the series. I sometimes wonder if Carl Sagan considered himself, primarily, a dreamer and only secondarily a scientist. Or, perhaps he was a scientist, an astrophysicist, because he was, first, a dreamer.
In Roger Ebert's initial review of this film (linked to the title of this post), he gave the movie three and a half stars. Then, in 2011, he christened Contact one of his Great Movies and added the initially lacking half star. In the review he discusses the differences in his opinion from his initial watching and watching it 14 years later. It's interesting to compare the two reviews.
Update 8/11/2021: Funny thing, yesterday my older sister and I, in a lengthy phone conversation (life-catch-up, really), discussed this movie (it remains a popular movie, folks) in light of a series of beach scenes aired during Season 17 of Grey's Anatomy in which Meredith, while suffering from COVID-19, meets up with previous and current colleagues on a beach. I don't have access to this season (or any seasons past 12), but I looked them up to clarify exactly what my sister was comparing to this movie. For those of you who remain as cable-challenged as I, here is a descriptive rundown of those scenes. My sister brought up those scenes (in our conversation she remembered them as one scene) without reference to this movie. Once she described them, I brought up their curious duplication of Ellie's beach scene with her father in this movie. Although I didn't use the term, my sister's description of these scenes seemed to me a rip-off of that famous scene in Contact. Although my sister said she's seen the movie, she didn't recall the scene I was describing. My take-away, now, is that, both of us being unaware of the other's references, we were kind of talking at cross purposes, yesterday, without realizing it.
Actor Role Actor Role Actor Role Actor Role Jodie Foster Dr. Eleanor Ann Arroway Jena Malone Young Ellie Matthew McConaughey Palmer Joss David Morse Theodore Arroway Tom Skerritt Dr. David Drumlin James Woods Michael Kitz John Hurt S. R. Hadden William Fichtner Kent Clarke Angela Bassett Rachel Constantine Jake Busey Joseph Rob Lowe Richard Rank Geoffrey Blake Fisher
Here's a link to the Wikipedia write-up of the film.
Release Date: 1997
Directed by Robert Zemeckis.
Labels: adventure1, aliens, david-morse, drama3, dream1, fantasy1, james-woods, jodie-foster, john-hurt, popcorn-and-soda2, pseudo-cgi-animation, science-fiction1
Monday, March 26, 2018
An American in Paris
- Commentary: Why did I come by this one? Hmmm ... one day about a month ago I decided to check out La La Land from the library. Mind you, other than it being a musical that was heralded and had won lots of awards, and who starred in it, I knew nothing about it. Hadn't read anything on it, laudatory, critical or otherwise. I happened to mention to my niece, the actor with whom I share a love of films, that I'd borrowed it for a line-up of movie watching. She confessed to me that it was her favorite film and asked to know my reactions once I'd watched it. I trust her tastes and instincts so I was ready to love the film. As well, I knew it was written and directed by the same guy who is responsible for Whiplash, a movie I loved, so I was excited to see it. Still and all, it took me a couple more weeks to get around to watching it. By that time, my anticipation level was through the roof. I should have remembered my experience with Mary Poppins decades ago. Oh well.
Certainly, I enjoyed watching La La Land, but my anticipation was not satisfied. I did, however, notice significant correlations with Singin' in the Rain, which I own, and An American in Paris, which, at the time, I didn't own. I decided I wanted to do a comparison of La La Land with both. I borrowed An American in Paris from the library, watched it and was reminded of how intriguing and masterful that film is. That's when I looked it up, found a reasonably priced copy and decided to buy it. Although I've noticed, since buying and watching it (twice, and once for all the special features, which are very interesting), that Singin' in the Rain is celebrated more than An American in Paris, well, let's just say, An American in Paris is such a treat I'm surprised we never bought it when Mom was alive.
Since watching it, I've become curious about musicals as a form in themselves, and have been working my way back through my own meager collection and checking even more out of the library. Considering what I own, this is a worthy addition.
In case you're curious, here's what my initial verdict on La La Land was to my niece:I just finished my first viewing of "La La Land". I say that because I'm convinced I'll have to watch it again, probably tomorrow, while it's fresh in my mind. That's because I'm, well, ambivalent.
Frankly, I prefer An American in Paris, Singin' in the Rain and, dare I say it, all the other musicals I own, over La La Land. But, it was the watching of La La Land that has launched me on a serious consideration of musicals (I've made a list of several I'm planning on borrowing within the next months) and the ownership of yet another, this one. For that, I'm grateful.
I was prepared to love it because it was written and directed by the same guy who wrote and directed "Whiplash", which I absolutely loved. When I learned that he is responsible for "La La Land", without knowing anything about the movie (including before I watched it this evening) [I know, hard to believe but I didn't look it up anywhere before I watched it and didn't run across any material about it prior, even though it was such a smash], except that it is a musical, I figured the movie must have a really interesting take on Hollywood musicals because, well, holy shit, this guy did "Whiplash"! So, I was shocked to discover how wrong I was. That realization is taking some getting used to. It is obvious, though, that the writer/director has serious chops, being able to do "Whiplash", then turn around and do "La La Land".
Right off the bat, here are some things I loved about the movie. Ryan Gosling, for one, but, I love him in anything. He could play a mushroom and I'd love him. "The Fools Who Dream" song, for another; that whole sequence, in fact. Sounds like my theme song! Sounds like I'm Mia's aunt, except for the whole Paris thing. Even better, though, I'm your aunt, and Emma Stone is merely a stand-in for you in that movie! I'll just go to Paris, and invite you!
The movie is clearly a revival of the old-time Hollywood musical. I easily recognized many parts of "An American in Paris" (which I saw with Mom too many times to recall, on TCM; it was a regular, so we never needed to own it) and just about every Ginger Rogers/Fred Astaire movie in existence (all of which I saw more than once with Mom on TCM). The brilliant color is taken right out of just about every musical Gene Kelly ever made. Sadly, neither Emma Stone nor Ryan Gosling are very good singers or dancers. [Frankly, Gene Kelly and Fred Astaire were only passable actors, but Ginger Rogers was good; even more so, Leslie Caron.] That was mildly disturbing. But, I think I can forgive them that, since both are, clearly, well developed and flexible actors. It would have been nice, though, if great actors who were also stellar singers and dancers had been given the parts. Hollywood should spend more time checking out stage musical actors. I'm not sure why such people weren't sought out for roles like this. I really like those old musicals, too, so I was ready to be wowed by this reinterpretation ... but I wasn't. I loved how Chazelle worked in the day-dream sequences, how he introduced them, what he did with them. The final one when Mia and her husband were watching Sebastian in his club was lovely. That's right out of "An American in Paris", including the use of the road. He must have a thing for that movie. In fact, I'm surprised he didn't attempt to resurrect Gene Kelly and Leslie Caron. To be fair, there was stuff from "Singin' in the Rain", too, specifically Gene Kelly's work. And, the dancing on stars and clouds? Ginger Rodgers and Fred Astaire.
Initial impressions of the story: Sad, sometimes sober, sometimes delightfully silly, sweet, sweet, sweet. The music? Aside from the "The Fools Who Dream", which I loved, okay. Definitely enjoyable. The production was made for the big screen, rather than the home screen, I think. My TV screen sometimes had trouble with the spotlighting techniques used. It seemed to me that there were places where the movie story went flat, but it never stayed that way and I'm willing to concede, upon a second viewing, that it may have just been me.
One more tiny, tiny thing about the movie: The end disappointed me. I don't usually have problems with movies in which initial relationships wither and evolve into others, like the branches of a tree. For some reason, though, and I'll have to reconfirm this with a second watching, Chazelle did not prep his audience well for it in this movie. It was, frankly, an unpleasant denouement to see Mia with a throw-away husband and kid, even as she was a famous actor. And the suggestion that Sebastian was alone in his personal life. Yes, I know, I saw the two something-or-others he was frying up in the pan before going to his nightclub, but, where was his throw-away wife and kid? Better yet, there never was a really good explanation for why Mia and Sebastian weren't married to each other with a kidlet, and an international acting career, and a successful night club. Not good story construction. Chazelle needs to work on crafting realistic, believable and successful love relationships.
Update 11/18/21: By the way, each mention of the name of this movie in this write-up is linked to a different review (including the last link, which is the Wikipedia write-up). This is such a famous movie and so many people are familiar with it, I thought it would be fun to scatter the availability of internet reviews throughout this write-up. I know, my sense of fun doesn't have much to recommend it, but it's mine and I enjoy it.
Update 6/4/22: Yet another movie made during the year I was born!
Actor Role Actor Role Actor Role Actor Role Gene Kelly Jerry Mulligan Leslie Caron Lise Bouvier Oscar Levant Adam Cook Georges Guétary Henri Baurel Nina Foch Milo Roberts Eugene Borden Georges Mattieu John Eldredge Jack Jansen Anna Q. Nilsson Kay Jansen
An American in Paris [Wikipedia write-up attached] is breathtaking. I'm glad I own it.
Release Date: 1951
Directed by Vincente Minnelli.
Labels: birth-year, dance, dream1, fantasy1, film-art1, mom-favorite1, musical1, popcorn-and-soda2, romance1, spectacle1
Tuesday, March 06, 2018
The Rapture
- Commentary: I know, I know, what am I doing with this movie, relatively unknown, certainly a peculiar take on Christianity's final judgment doctrine, in my collection? Let me explain. I saw this movie when I was living in Seattle, when it premiered in the theater. I decided to see it after reading Roger Ebert's remarkable review of the movie, linked to the title of this post.
No, I am not a believer, for all practical purposes I've never been, but I lived, in my teenage years, with a relative who became a rabid Christian fundamentalist and spent quite a bit of her time at home (which was, in those days, less time than she spent at church functions) trying to convert the rest of the family (which she never accomplished; an unusual defeat considering that the usually successful tactic of the church with which she was associated was to snatch the teens and badger them to convert their families). I was particularly affected, to the point of studying scripture, despite my lack of faith, and presenting her with an essay about how, if her beliefs were true, I was willing to be eternally damned. Some years later this relative renounced her belief, with her husband, whom she met in the church, and became a staunch atheist and Unitarian Universalist. I've remained an agnostic atheist with a fascination for religious rabidity and the media it inspires. This is my favorite movie of that genre. Notice all the labels I've attached to it. It affects me on several levels, of which I am reminded at least once a year since I obtained it.
Actor Role Actor Role Actor Role Actor Role Mimi Rogers Sharon David Duchovny Randy Kimberly Cullum Mary Darwyn Carson Maggie Patrick Bauchau Vic James LeGros Tommy Will Patton Deputy Foster Sam Vlahos Wayne
Here's a link to the Wikipedia write-up of the film.
Release Date: 1991
Directed by Michael Tolkin.
Labels: adventure1, apocalyptic, bible-movies1, drama4, dream1, fantasy1, film-art1, haunting1, jesus-dvds, me-favorite1, neo-noirB, prophecy, spiritual1, suspense1
Sunday, November 20, 2016
Winter's Bone
- Commentary: So, I bought a copy of this movie for my dramatist niece. And, remembered it (and the book) so fondly that I had to have my own copy. Which I watched immediately upon its arrival. I love this movie so much that I've checked it out of the library too many times to remember exactly the number. It's just one of those. You know. This movie is the first time I'd seen or heard of Jennifer Lawrence. It's a spectacular performance. I've seen her in other stuff, since. She's a talented, stand-out actress but, in my mind, she has yet to best her performance in this piece. It is, as well, yet another in my collection that, immediately upon watching it, makes me feel as though I've just dreamt it.
One of Roger Ebert's Far Flung Correspondents, Wael Khairy weighed in, also, with a haunting review.
Actor Role Actor Role Actor Role Actor Role Jennifer Lawrence Ree Dolly Isaiah Stone Sonny Dolly Ashlee Thompson Ashlee Dolly Valerie Richards Connie Dolly John Hawkes Teardrop Dolly Garret Dillahunt Sheriff Baskin Dale Dickey Merab Milton Sheryl Lee April
Here's a link to the Wikipedia write-up of the film.
Release Date: 2010
Directed by Debra Granik.
Labels: drama5, dream1, female-director3, haunting1, john-hawkes, mystery1, neo-noirC, southern-gothic, thriller1
Friday, April 10, 2009
Requiem for a Dream
- Who's watched: G
- Mentions: None
- Commentary: I had wanted to watch this movie ever since it came out and somehow never got the chance. I never mentioned it to anyone, but I thought of it often. When we joined a rental service I put it in my queue but there were always so many other, much lighter movies that I placed before it because, somehow, I knew this wasn't a film Mom would want to watch. Then, during the spring of 2008 when Mom was in the hospital in rehab, out of the blue MFS sent me a copy of this movie...even though I'm sure I never mentioned my interest in it to her...it's become, since, a symbol of our psychic link.
This movie is frenetic, tragic and gorgeous, all at the same time. Ostensibly the story of what addiction (to a variety of "things", including dreams) can do to a person. It's wonderfully acted and so succinctly imagined, written, produced, directed and portrayed that, after one scene in which one of the characters sexually compromises herself for drugs, MFS told me she felt like she needed to take a shower. It's true: The movie throws the grime of desperation right through the screen at you. There's something in this movie to make anyone, everyone feel dirty. The desperation never lets up; it's like watching a family version of Titus Andronicus. Which, of course, thrills me. I don't know why I'm attracted to such spot-on portrayals of the dregs of life, but I am, and this one is a masterpiece. I've watched it three times since I've received it. I'll watch it again. I've even created the category of "tragedy" for it, because, oddly, despite my attraction to tragedy, except for some of the video adaptations of Shakespeare's plays, we have no other relentless tragedies. I think I held off while Mom was alive because I suspected that I wouldn't be able to watch them, much. I was right...but, (cackling deleriously and rubbing hands together) THE SCREEN IS MINE, NOW, ALL AND ONLY MINE ...
Actor Role Actor Role Actor Role Actor Role Ellen Burstyn Sara Goldfarb Jared Leto Harry Goldfarb Jennifer Connelly Marion Silver Marlon Wayans Tyrone C. Love Christopher McDonald Tappy Tibbons Mark Margolis Mr. Rabinowitz Louise Lasser Ada Marcia Jean Kurtz Rae Sean Gullette Arnold The Shrink Keith David Big Tim Janet Sarno Mrs. Pearlman Dylan Baker Southern Doctor
Here's a link to the Wikipedia write-up of the film.
Release Date: 2000
Directed by Darren Aronofsky.
Labels: audio-visual, darren-aronofsky, drama7, dream1, dylan-baker, ellen-burstyn, film-art1, haunting2, jennifer-connelly, me-favorite2, tragedy2, violence2
Legends of the Fall
- Who's watched: M & G
- Mentions: none
- Commentary: I'm truly surprised that I never mentioned this movie in the journals because, after I'd first seen it, the year it was released, I was mesmerized by it and talked it up to everyone who would listen, rented it endlessly and forced relatives to watch it with me, etc. I've often tried to explain why this movie has such a hold over me. Luckily, Mom always enjoyed it, as she does most big country-spectacle-epics. The acting is poor to fair to good to very occasionally excellent (usually the minor characters ring in the excellence in acting); the story is, well, the father-son story at the base of it is reasonably interesting but predictable; but the whole business about bears and the fall...it resonates with my own interest in bears and the fact that I've always been unreasonably proud of being a fall baby and feel "special" because of that accident of birth timing. I tend to feel as though I am in a dream when I watch this movie. Weird, I know. But, I expect to unreasonably love this movie for the rest of my life. I was lucky that Mom enjoyed it, too, I think it was like reading a sprawling novel, for her, thus she indulged my need to watch this at least once a year, if not more.
Actor Role Actor Role Actor Role Actor Role Brad Pitt Tristan Ludlow Anthony Hopkins Col. William Ludlow Aidan Quinn Alfred Ludlow Julia Ormond Susannah Fincannon-Ludlow Henry Thomas Samuel Ludlow Karina Lombard Isabel 'Two' Decker-Ludlow Gordon Tootoosis One Stab Christina Pickles Isabel Ludlow Tantoo Cardinal Pet Decker Robert Wisden John T. O'Banion John Novak James O'Banion Kenneth Welsh Sheriff Tynert
Here's a link to the Wikipedia write-up of the film.
Release Date: 1994
Directed by Edward Zwick
Labels: action1, adventure3, anthony-hopkins, drama7, dream1, haunting2, me-favorite2, period3, spectacle1, tantoo-cardinal, violence2, war1
Sunday, May 06, 2007
Northern Exposure 6th Season
- Who's watched: M & G
- Mentions: None specific to this season
- Commentary: We now have completed our collection of Northern Exposure seasons. This last season was, for many people, the most confusing. It's definitely the season I love the most, because of the many, many dream and fantasy sequences. I remember when this season first aired. Lots of people were put off by the appearance of the new doctor and his wife. The show stayed on its wide, every winding track, though, and the final episode was a credit to the entire series.
For a list of recurring actors/characters, see this post.
Here is the Wikipedia write-up for the sixth season.
Release Date: 1994-1995
This is not Mom's favorite season, because she has trouble following all the dream and fantasy sequences. She watched it through like the moose-trooper she is, though, and I'm sure we'll watch all these episodes again and again.
Directed by various people, two of whom were women.
Labels: dramedy1, dream1, fantasy2, female-director3, haunting2, TV1
Friday, March 09, 2007
After Life
- Who's watched: M & G
- Mentions: *1**2*
- Commentary: Again, another movie in which the "mentions" say it all; except for an update: We've watched this movie a couple more times since I purchased it. Each time, I question Mom on her one preferred memory. Each time, she comes up with a variety of memories but still can't decide which she'd keep and which she'd allow to be blocked.
One other thing: I noticed, when I received our purchased copy, which came in a DVD case with, you know, the usual info sleeve, that my interpretation of the movie, that one relives their chosen memory for eternity, is exactly the way the sellers of the movie to the U.S. interpret it. Here is the specific part of the cover blurb: "With the help of dedicated caseworkers, each soul is given three days to choose one cherished memory from their life that they will relive for eternity." Interesting that the English subtitles for the movie don't exactly explain this. Makes me wish I was fluent in Japanese, so I could tell if the original script for the movie suggests this. I wonder if this interpretation is strictly a U.S. cultural interpretation or if the movie is meant to communicate this and does so in the Japanese dialogue. Comments in regard to this mystery from anyone who is fluent in both Japanese and English would be welcome.
Actor Role Actor Role Actor Role Actor Role Arata Takashi Mochizuki Erika Oda Shiori Satonaka Susumu Terajima Satoru Kawashima Taketoshi Naito Ichiro Watanabe Takashi Naito Takuro Sugie Hisako Hara Kiyo Nishimura Kei Tani Kennosuke Nakamura Kisuke Shoda Toru Yuri Kazuko Shirakawa Nobuko Amano Yūsuke Iseya Yusuke Iseya Sayaka Yoshino Kana Yoshino Kotaro Shiga Kenji Yamamoto Kyōko Kagawa Kyoko Watanabe Natsuo Ishidô Young Kyoko Watanabe Sadao Abe Ichiro Watanabe Tomomi Hiraiwa Receptionist
Here's the link to the Wikipedia write-up of this movie.
Release Date: 1998
Directed by Hirokazu Kore-eda.
Labels: drama8, dream1, fantasy2, film-art2, haunting2, shared-favorite, spiritual1
Wednesday, October 11, 2006
Japanese Story
- Who's watched: M & G
- Mentions: *1*
- Commentary: The above comment in the "Mentions" pretty much says it all, from which I'll take the liberty of quoting: Last night, Mom rearose as I was about 10 minutes into watching Japanese Story. This is one of those movies I rented, when it first came out on DVD, strictly on the strength of Toni Collette being in the cast. I fell so in love with the movie that I have continued to think of it since. Mom didn't watch it at that time. When I ran across a barely used (probably only watched once), cheap copy of it some days ago when turning in movies for credit at my favorite get-rid-of-DVDs-you-don't-want place, I snatched it using some of my accumulated credit. When Mom joined me last night, I told her what I was doing and restarted the movie. Although she expressed interest, I expected that at a point after about 15 minutes of watching the movie she'd become bored and I'd stop it for viewing at another alone-time. I was wrong. She was riveted, too. When the movie ended, she surprised me by saying, as the credits rolled, "I really enjoyed that! Let's buy that movie. I'd like to see it again."
We discussed it, mostly the landscape, about which Mom commented, more than a few times during the movie, "Where is this? Australia? We should move to Australia," despite me reminding her that we probably couldn't live in the environments shown in the movie with which she particularly fell in love [You can take the woman out of the desert, I guess, but you can't take the desert out of the woman]; and about the subtle appreciation that grew between the main characters (the wife of the businessman included, even though she appears only in the last quarter of the movie), despite their extreme cultural differences.
At one point I mentioned something about my reaction when I first saw the movie.
"You've seen this movie? Why don't I remember seeing it?"
"You didn't see it the first time, Mom. I wasn't sure you'd like it."
"Well, from now on, check with me before you decide what you think I'd like."
Yes m'am!
Actor Role Actor Role Actor Role Actor Role Toni Collette Sandy Edwards Gotaro Tsunashima Hiromitsu Tachibana Matthew Dyktynski Bill Baird Lynette Curran Mum Yumiko Tanaka Yukiko Tachibana Kate Atkinson Jackie Bill Young Jimmy Smithers Reg Evans Bloke in a Boat
Here's a link to the Wikipedia write-up of the film.
Release Date: 2003
Directed by Sue Brooks.
Labels: drama9, dream1, female-director2, me-favorite2, toni-collette
Friday, February 10, 2006
Whale Rider
- Who's watched: M & G
- Mentions: None
- Commentary: I bought this movie on a hunch. I'd seen it a couple of times on PBS. The second time, I insisted my mother watch it. Unfortunately, both times it was shown without closed captioning and the New Zealand accents threw her for a loop. I thought, though, if she could see it with captioning she'd really enjoy it, so, when I noticed a copy of it for sale, I bought it. I was right. She not only enjoyed the movie but was interested in the special features, as well, even though they didn't have closed captioning. This is a strangely dreamy movie, while appearing to be firmly set in reality. It's one of the most unusual coming-of-age movies I've ever seen. I'm sure we'll be watching this again.
Actor Role Actor Role Actor Role Actor Role Keisha Castle-Hughes Paikea Apirana Rawiri Paratene Koro Vicky Haughton Nanny Flowers Cliff Curtis Porourangi Grant Roa Uncle Rawiri Mana Taumaunu Hemi Rachel House Shilo Taungaroa Emile Willie
Here's a link to the Wikipedia write-up of the film.
Release Date: 2002
Directed by Niki Caro.
Labels: coming-of-age1, drama9, dream1, fantasy3, female-director2, shared-favorite, sport1
The Color Purple
- Who's watched: M & G
- Mentions: None
- Commentary: I'm surprised I've made no mention of this movie in any of my journals. This is one of those movies that we watch every time we can catch it on a television channel, which is why I snatched it up when I ran across a copy of it. We both hone into this movie as though we're having a dream. I'm glad we finally got a copy of it because when it was on TV I used to have a hell of a time getting Mom to go to the bathroom during a playing of it. Now, I can stop the movie when I notice she looks like she'd better hit the toilet. [Her joke is that you can tell when someone needs to go to the bathroom when you can see waves crashing in their eyes...which is almost the truth with my mother.]
Roger Ebert was so impressed with this movie that he not only gave it an initial four star review the year of its release (that review is linked to the title of this post), he followed that up with an interview with Whoopi Goldberg and later christened it as one of his Great Movies.
Actor Role Actor Role Actor Role Actor Role Whoopi Goldberg Celie Harris Johnson Danny Glover "Mister" Albert Johnson Oprah Winfrey Sofia Margaret Avery Shug Avery Akosua Busia Nettie Harris Adolph Caesar "Old Mister" Johnson Willard Pugh Harpo Johnson Rae Dawn Chong Mary Agnes “Squeak” Johnson Laurence Fishburne Swain Carl Anderson Reverend Samuel Leonard Jackson Pa Harris Dana Ivey Miss Millie
Here's a link to the Wikipedia write-up of the film.
Release Date: 1985
Directed by Steven Spielberg.
Labels: danny-glover, drama9, dream1, laurence-fishburne, period4, political4, steven-spielberg, whoopi-goldberg
Monday, November 14, 2005
My House in Umbria
- Who's watched: M & G
- Mentions: *1* *2*
- Commentary: Another favorite of mine. I love luxuriating in Maggie Smith's performance in this HBO movie. I love luxuriating in Maggie Smith's performances in any of her movies and TV productions! What a multifaceted actor she is!
I love the ambiance of the voice over in this movie. I enjoy the story. It takes "character driven" to a new level.
Mom has liked this movie on and off. She has to be in the mood for it. I'm always in the mood for it.
Actor Role Actor Role Actor Role Actor Role Maggie Smith Emily Delahunty Chris Cooper Thomas Riversmith Timothy Spall Quinty Emmy Clarke Aimee
Here's a link to the Wikipedia write-up of the film.
Release Date: 2003
Directed by Richard Loncraine.
Labels: chris-cooper, dramaA, dream1, maggie-smith, me-favorite3, TV2
Tuesday, June 28, 2005
Waking Life
- Who's watched: G
- Mentions: *1* *2*
- Commentary: Now, this is my idea of a comedy! I laughed and laughed all the way through this thing, and then was stunned at the end! I never think to watch this movie when Mom's awake. I don't know if she'd like it or not. She surprised me with her devotion to My Dinner with Andre so, you never know. If she ever sees it, I'll be sure to report.
Roger Ebert reviewed this movie twice. His initial review is linked in the title to this post. He reviewed it again when he christened it as one of his Great Movies.
Actor Role Actor Role Actor Role Actor Role Wiley Wiggins protagonist Eamonn Healy self Ethan Hawke self Richard Linklater self
Here's a link to the Wikipedia write-up of the film.
Release Date: 2001
Directed by Richard Linklater.
Labels: animated, dream1, fantasy3, film-art2, me-favorite3, pseudo-cgi-animation, satire2
Monday, February 21, 2005
π
- Who's watched: G
- Mentions: None
- Commentary: This one is my treat, one of my trance movies. I don't know if Mom will ever see this movie. I think it would bore her. She does not find representations of the internal flights of one's mind interesting, not even if a story centers around them. She is a "what did they do", not a "what were they thinking" person. I think this is because she is such a quick study in regards to picking up on what people are thinking...but, considers that what a person is thinking is absolutely no excuse for bad behavior.
Update 5/11/2020: Per my above prediction, and my machinations, Mom never saw this movie. Frankly, if she's "out there somewhere", I think she would still feel that it would have been a waste to time to watch it. Go, Mom!
Actor Role Actor Role Actor Role Actor Role Sean Gullette Maximillian Cohen Mark Margolis Sol Robeson Ben Shenkman Lenny Meyer Samia Shoaib Devi Pamela Hart Marcy Dawson Stephen Pearlman Rabbi Cohen Ajay Naidu Farouq Kristyn Mae-Anne Lao Jenna
Here's a link to the Wikipedia write-up of the film.
Release Date: 1998
Directed by Darren Aronofsky.
Labels: A24, darren-aronofsky, dramaB, dream1, film-art2, me-favorite3, mystery2, neo-noirB
Tuesday, February 08, 2005
Cosmos: The Entire 1980 Carl Sagan Series
- Who's watched: M & G
- Mentions: *1*
- Commentary: This series is our church. We watch episodes of it often, reverently and with maximum alertness. The music has a tendency to blur the experience for Mom, but the stories and cosmopolitan view snap her out of it. We have been known to lose entire afternoons and evenings to episodes of this series. In a way, I consider it the essence of the spirit that keeps Mom around.
Take note, readers. The review of this series that I've linked to the title of this post is written by an actual scientist/science writer who was motivated into the science field by this series. Not that I don't want to you check out every link in every one of my posts, but this link is especially delicious. Check it out.
Here's a link to the Wikipedia write-up of the film.
Release Date: 1980
Directed by Adrian Malone and other of its producers, none, apparently, female.
Labels: documentary1, dream1, science, spectacle2, TV3
Monday, February 07, 2005
Sexy Beast
- Who's watched: G
- Mentions: None
- Commentary: I am also a devotee of Ben Kingsley's work. I find his portrayal in this movie thrilling. I'm sure my mother would ask, when it was over, "Now, what exactly was the point to that?!?" So, I don't imagine I'll ever invite her to watch it, nor will she express interest in it.
Actor Role Actor Role Actor Role Actor Role Ray Winstone Gary Dove Ben Kingsley Don Logan Ian McShane Teddy Bass Amanda Redman DeeDee Dove
Here's a link to the Wikipedia write-up of the film.
Release Date: 2000
Directed by Jonathan Glazer.
Labels: ben-kingsley, dramaB, dream1, me-favorite3, neo-noirC, ray-winstone, violence3


















