Sunday, November 27, 2022
High and Low
- Commentary: Under construction.
In 1998 Roger Ebert wrote an interesting and thoughtful retrospective of Akira Kurosawa's work. If you're a fan, it's a great place for suggestions of other Akira Kurosawa movies to watch and contemplate.
Actor Role Actor Role Actor Role Actor Role Toshirô Mifune Kingo Gondo Tatsuya Nakadai Insp Tokura Kyōko Kagawa Reiko Gondo Tatsuya Mihashi Kawanishi Kenjiro Ishiyama Chief Det Taguchi Isao Kimura Det Arai Takeshi Katō Det Nakao Yutaka Sada Chauffeur Aoki Tsutomu Yamazaki Ginjirô Takeuchi Takashi Shimura Chief of Investigations Susumu Fujita Mgr of Investigations Yoshio Tsuchiya Det Murata Jun Tazaki National Shoes Publicity Dir Kamiya Nobuo Nakamura National Shoes Design Dep Dir Ishimaru Yunosuke Ito National Shoes Exec Kamatari Fujiwara Incineration Worker
Here's a link to the Wikipedia write-up of the film.
Release Date: 1963
Directed by Akira Kurosawa.
Labels: akira-kurosawa, Criterion5, neo-noirA, police-procedural, tatsuya-nakadai, toshirô-mifune
Sunday, May 08, 2022
Insomnia - 2002
- Commentary: Under construction.
Actor Role Actor Role Actor Role Actor Role Al Pacino Det. Will Dormer Robin Williams Walter Finch Hilary Swank Det. Ellie Burr Maura Tierney Rachel Clement
Here's a link to the Wikipedia write-up of the film.
Release Date: 2002
Directed by Christopher Nolan.
Labels: al-pacino, christopher-nolan, neo-noirB, police-procedural, psychological2, robin-williams, thriller2
Tuesday, May 03, 2022
Insomnia - 1997
- Commentary: Under construction.
This film was remade by Christopher Nolan, starring Al Pacino, and released in 2002, to excellent reviews.
Actor Role Actor Role Actor Role Actor Role Stellan Skarsgård Jonas Engström Sverre Anker Ousdal Erik Vik Bjørn Floberg Jon Holt Gisken Armand Hilde Hagen
Here's a link to the Wikipedia write-up of the film.
Release Date: 1997
Directed by Erik Skjoldbjærg.
Labels: §3, neo-noirB, police-procedural, thriller2
Wednesday, August 25, 2021
Motherless Brooklyn
- Commentary: I just added this movie to my collection today, 8/25/21. I haven't watched it yet but I don't think I'll be disappointed. I'll report back within the next few hours, or days, depending.
It should be noted that this movie was written, produced and directed by Edward Norton and stars him, as well. This is one of the reasons I wanted to add it to my collection, since I'm becoming interested in Edward Norton's work. The critics were impatient with, and mostly downgraded their reviews because of, its length. The length of a film never bothers me, unless it's because it wasn't well edited, which no one accuses this film of being. As well, according to Wikipedia, Edward Norton's "personal engagement" with this film is immense, and, might I add, compelling to me, at least.
Actor Role Actor Role Actor Role Actor Role Edward Norton Lionel Essrog Bruce Willis Frank Minna Gugu Mbatha-Raw Laura Rose Alec Baldwin Moses Randolph Willem Dafoe Paul Randolph Bobby Cannavale Tony Vermonte Cherry Jones Gabby Horowitz Michael K. Williams Trumpet Man
Here's a link to the Wikipedia write-up of the film.
Release Date: 2019
Directed by Edward Norton.
Labels: §1, edward-norton, neo-noirC, police-procedural, willem-dafoe
Friday, July 16, 2021
Homicide
- Commentary: Here's a movie that had me so puzzled I watched it two and a half times, then looked online for a full, detailed summary of the story (linked to the title, above) in order to understand the the movie. Turns out, I was wrong about the identity of the man in chains and a jump suit being shuffled down the hall at the very end of the film who turns and smiles at Detective Bobby Gold. I thought that guy was the librarian, but it was the man at the beginning of the movie who had killed his wife and kid(s) [Did he have one kid or more?] and promised to tell Gold the nature of evil. Which makes more sense than my misunderstanding.
For another take on the movie here's Roger Ebert's four star review. Frankly, I kind of have a feeling that men, in particular (versus women) have a special place in their hearts for the kind of hard biting male-to-male drama David Mamet incorporated in this film, and some others.
Clearing that up, however, didn't really change my understanding of the bulk of the movie. Bobby Gold is a human who is stuck between a birth identity he didn't know he carried and a work/life identity he thinks he understands but doesn't. He thinks the two are intertwined in a way that they aren't, and doesn't really understand how they are intertwined until after he's more or less taken out of commission from his work/life. When he understands that the intertwining has nothing to do with him or his Jewishness, well, at the end of the film the camera catches him in the discomposure of being stunned.
There are Mamet scripts I enjoy more than this one. This film is a hard row for me to mentally hoe. There are Mamet scripts that I think I don't understand because I'm not male and women suffer different identity crises than men. This movie is one of them. Glengarry Glen Ross is another. But I can say I loved the content and delivery of the dialogue, the extraordinarily clean presentation of Gold's internal conflict and the surprise ending, a double surprise because I had to amend my understanding of the entire film once I correctly identified the prisoner being walked down the hall. To certain death.
Wow. Makes me want to watch Glengarry Glen Ross again and piques my curiosity about American Buffalo.
Actor Role Actor Role Actor Role Actor Role Joe Mantegna Buddy Gold William H. Macy Tim Sullivan Ving Rhames Robert Randolph Natalia Nogulich Chava Vincent Guastaferro Lt. Senna J. J. Johnston Jilly Curran Lionel Mark Smith Charlie Olcott Rebecca Pidgeon Rebecca Pidgeon
Here's a link to the Wikipedia write-up of the film.
Release Date: 1991
Directed by David Mamet.
Labels: coming-of-age2, Criterion2, detective1, mystery2, police-procedural
Thursday, July 15, 2021
Deep Cover
- Commentary: Under construction.
This movie was originally listed in the post Movies I've Seen, Do Not Own but Can't Forget. I own this movie, now. Here is the commentary I wrote for it in my wish list post: "Okay. This is yet another of my juicy fetishes. I love the story: corruption galore, even within the best of the characters. Laurence Fishburne: come on, how can you resist this character of his?!? [How can you resist anything done by Laurence Fishburne?!?] And Goldblum's rendering of Jason, and the way the pair plays off one another, oh, my, my! This movie, for me, falls into the same category as the Equalizer movies and the John Wick movies. Although I enjoy all of them, I have to say, I favor this one because the character is not squeaky clean, like Washington's McCall, nor is he on a sacred rampage, like Reeves' Wick. In fact, at the end of the movie, you are left wondering about the content of Stevens' character. I can't help but think that Fishburne, Goldblum and their fellow actors had loads of fun making this movie."
Actor Role Actor Role Actor Role Actor Role Laurence Fishburne DEA Agt. Russell Stevens Jr./John Hull Jeff Goldblum David Jason Yvette Heyden Nancy Jason Charles Martin Smith DEA Agt. Gerry Carver Victoria Dillard Betty McCutcheon Gregory Sierra Felix Barbosa David Weixelbaum Chino Glynn Turman Russell Stevens Sr. Arthur Mendoza Anton Gallegos Clarence Williams III Dt. Taft Roger Guenveur Smith Eddie James T. Morris Ivy
Here is the Wikipedia write-up for this film.
Release Date: 1992
Directed by Bill Duke.
Labels: Criterion2, dramaD, laurence-fishburne, loose-cannon-cop, neo-noirB, police-procedural, violence3





