Wednesday, April 20, 2022
The Nun's Story
- Commentary: [4/25/2022] I just finished watching this movie. I'm sure I've watched this movie before, but much later than its release date, as I was only eight years old when the movie was released and was aware neither of religion nor of the Catholic Church nor of nuns.
My introduction to the Catholic Church and nuns took place when our family moved to Guam (and remained there for thirteen years) when I was nine; that's right, a year after this movie was released. Guam was (and, likely, still is) a thoroughly Catholic island. I had many Catholic friends. I had several teachers in public schools, from elementary through college, who were nuns. The last nun I had as a teacher was Dr. Margaret Stumpf at the University of Guam. She was a habitless nun (as many nuns became, once the Church necessity for habits was abolished). She was also one of my favorite college teachers.
I was surrounded by the practice and pageantry of the Catholic Church, even though I neither believed in nor practiced Catholicism. By the time I was in junior high I knew the rosary, both the standard version and the special stations-of-the-cross version, because every night of our lives, from 5:45 p.m. - 6:00 p.m. (5:30 p.m. - 6:00 p.m. on holy days) we were exposed, at home, on television, to "The Rosary Hour", featuring Father (then Bishop, then Archbishop) Flores droning through the rosary prayers before KUAM's entertainment programming began. When I was in college and my younger sisters were in high school the word "nun" became a humorous pejorative indicating that the person (either male or female) to whom it was applied was, well, a bit of a dit (which, itself, meant, a kind of low-brow, unthinking, unintending asshole). At any rate, Guam was so saturated with Catholicism that I was, too, despite not ever becoming Catholic or wanting to.
Curiously, though, I do remember wondering whether I might like to become a nun. This was probably the time that I saw The Nun's Story, likely on television. I think I found the cheery dedication of the nuns I knew inspiring, although I gave little thought to what would be involved in becoming a nun, especially considering that I was not only not Catholic, I was raised in a kind of Protestant hot-home full of religious discussion but lacking religious practice. It often occurred to me, during this time, that I was not alone in this day-dream, that, in fact, quite a few of my female friends considered exactly the same possibility for exactly the same reasons as me. Thus, I had a keen interest in this movie when I obtained it a few days ago. I think I may have wanted to refresh my memories of my jumbled, ahem, "religious upbringing".
The first thing I noticed is that once Sister Luke (played by Audrey Hepburn) arrives in the Congo, a lot of the movie is filled with what I can only describe as National Geographic video footage of African tribal life (minus the bare breasts; I guess the producers of this movie felt that what teenagers, in their bedrooms in the late 50's and early 60's, slavered over in the glossy pages of National Geographic, a "family" magazine, was not fitting fare for a 1959 movie screen). The second thing I noticed is the depth of the interpersonal soul-scouring conversations between Dr. Fortunati (played by Peter Finch) and Sister Luke. The third thing I noticed is that the characters of the nuns and their relationships amongst one another were portrayed with a seriousness and delicacy that I hadn't remembered.
I thoroughly enjoyed watching the movie again. Frankly, I had not retained much of it, so it was rather like watching it anew. I'm glad I had the opportunity to add it to my collection. I agree with someone I read on this movie, I can't remember who, that, although dated, in part, it is likely Audrey Hepburn's best performance, and she was supported by actors who were also at the top of their game. Oddly, my favorite performance in the movie, a bit part, is that of Mother Marcella (played by Ruth White) the nun who urges Sister Luke, in order to address a difficult relationship involving wrestling with humility with one of her fellow nuns, to fail her upcoming final exam at the School of Tropical Medicine in Antwerp. Ruth White absolutely nails the portrayal of this cruel nun who is, obviously, lacking in humility, herself. The performance was so good, so chilling, that I looked up Ruth White and bookmarked her to remind me to seek out more of her video work.
A miscellaneous note: On February 3, 2020, the America - The Jesuit Review published a review of this film by Nadra Nittle, who praised this film. The Wikipedia article (to which I've linked, below), in mentioning Nadra Nittle's article, tacked on the following sentence: "There is no mention of the magazine's late literary editor Father Gardiner and his support for the source material and involvement in the adaptation." I'm not sure why this sentence was included, unless to attempt to create a tempest in a teapot. At any rate, Nadra Nittle isn't a Jesuit, there is no mention of whether she's Catholic, and I think this one sentence observation underlines a problem the author of the Wikipedia article has with the Catholic church, rather than a problem with the movie or Nittle's review. At any, rate, Nittle's article is far from the only review of praise for this movie. Although Roger Ebert did not review this film, I've linked the title of this write-up to an interesting and far from negative review of the movie by Glenn Erickson, DVD Savant.
Actor Role Actor Role Actor Role Actor Role Audrey Hepburn Sister Luke Peter Finch Dr. Fortunati Mother Marcella Ruth White Niall MacGinnis Father Vermeuhlen
Here's a link to the Wikipedia write-up of the film.
Release Date: 1959
Directed by Fred Zinnemann.
Labels: biography3, character-study, coming-of-age2, dean-jagger, dramaF, religion2, spiritual2
